dolores costello

CINEFILES



archive
portal

post

netflix
hulu
mubi

coming soon
rotten tomatoes
metacritic
nyt movies
mrqe

the wrap
house next door
24 frames
letterboxd

indiewire blogs
senses of cinema
bright lights

criterion

suggestion thread

View current page
...more recent posts

just watching this now having never heard of it before seeing it buried in the tcm schedule at 4am last night.

Stuart Cooper’s Overlord doesn’t approach the wartime archive as a homogeneous set of familiar images. In the early 1970s, the director mined the 16mm and 8mm archives of London’s Imperial War Museum and emerged with rare treasures of specific historical occurrences, cinematic pleasures of incredible warplanes at flight, and uncanny records of unfathomable tragedy. What he did with them remains wholly unique in the history of war cinema. Cooper shot his own original 35mm film about a young recruit who suffers loneliness and dread from basic training to his arrival at the shores of Normandy on D-Day. He then combined this footage with the archival materials, creating a hybrid that is never quite a narrative yet never quite a documentary either.
 

- dave 9-02-2014 11:20 pm [link] [add a comment]