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In 1952 Sight & Sound polled the world’s leading film critics to compile a list of the best films of all time. The magazine has repeated this poll every ten years, to show which films stand the test of time in the face of shifting critical opinion. In 1992 we added a poll of directors asking them for their personal choices.
Now, in 2002, the magazine has published its largest poll to date, receiving contributions from 145 film critics, writers and academics, and 108 film directors. The results are intriguing, both for their certainty in choosing intense personal films as the best, and for their lack of agreement about which films of recent times can compete with the greatest.
saw The Good Girl last night. cant say that i would recommend it outright but i thought it was well acted. it was written by the guy that wrote Chuck and Buck and possesses a similarly droll and dire perspective. and while i enjoyed the farcical elements, the story itself seemed a little unoriginal and despite the fine acting you never really cared about the fate of the characters. but then i wasnt concerned with much by the end of the night as the champagne hangover began to wreak havoc on my brain. in general i would say i would have been better off with total sobriety or further inebriation, and maybe thats true of the movie as well. heres a salon review that seems about right.
genghis blues from friends of tuva
Tron tech trivia from an unverifiable slashdot comment:
Fun factoids: the scenes with live actors inside the computer were filmed in 70mm black and white, then blown up to cel size for rotoscoping/effects work, and re-shot on an animation stand.I think I know what that means. Sure worked out well. It's still a cool looking effect.