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Tiravanija’s redux of Untitled 1992 (Free) acts as a kind of invading organism that usurps the function of the gallery, displacing it with real life. All this is underscored by another recreation at Zwirner’s, next to Tiravanija’s. It is a signature piece of post-minimalist sculpture by the late Gordon Matta-Clark, made exactly 20 years before the Tiravanija, and as fate would have it, at the exact same address on Greene Street in SoHo where Tiravanija originally made Untitled 1992 (Free).

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