If Repressive Tolerance, Herbert Marcuse’s ground-breaking 1965 essay lambasting liberal society’s seemingly infinite tolerance for the unacceptable, had a contemporary equivalent it wouldn’t be an opus by Noam Chomsky or Naomi Klein, it would be the current Aernout Mik exhibition at MoMA. Refashioning the repressive environments which have become pervasive in so-called “advanced” Western societies (such as administrative detention centers, absurdist tribunals, inhuman bureaucracies, and even schools), Mik does a better job of plundering the myth of liberty, equality, and fraternity than any contemporary critical essay. Marcuse, the most influential philosopher (with Theodor Adorno) to emerge from the Frankfurt School, stated that “Tolerance toward that which is radically evil now appears as good because it serves the cohesion of the whole on the road to affluence or more affluence.”