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terry riley le secret de la via (1975) / no man's land (1985) mp3s


via kenny g fmu blog


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formalisims

GRAV, the Nouveaux Réalistes, BMPT and Support-Surface propounded all manner of theories on the ends and means of art and the destiny and political role of the avant-gardes. The Marxist synthesis of structuralism and Lacanian psychoanalysis did much to shape the deliberately speculative nature of these attempts at self-definition and positioning. The extent and importance of this critical activity during the 1970s is evidenced by the existence of such reviews as Cahiers théoriques, Macula and Documents sur. This linking of art and the human sciences, which still obtains today in somewhat abated form, became the defining characteristic of contemporary art in France. Among its innumerable consequences was the strangely tortuous procedures that artists had to take to express their subjectivity.

Much has been written about the parallels between the critical intuitions of Frank Stella and those of GRAV, and about the different conclusions drawn on each side. The heritage of Duchampian kinetics had a decisive influence on François Morellet, Julio Le Parc and Jesus-Rafael Soto, (although this reading of it has been totally neglected since), as did the Zurich Concrete Artists (including Max Bill and Richard P. Lohse), Auguste Herbin, Jean Dewasne and Victor Vasarely. These figures constituted a unifying matrix for the work of artists from a wide variety of backgrounds.[27] The interest in movement, which was expressed most literally in the work of Jean Tinguely and Pol Bury, moved many artists to translate it into pictorial form, to attempt the simultaneous use of illusionistic and interactive procedures. With its abstract anamorphoses, its ever-more sophisticated apparatus, its games with parallaxes and mirrors, the work of the GRAV group was aimed at the widest-possible public. As they proclaimed in their Manifesto (1963), “We Want to interest the spectator, to remove his inhibitions, to get him to relax.”

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support surface treatment


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Much of the intense work and the sparks that flew between Kahn and Noguchi during the five years of their collaboration (1961-66) found their way into the design of Moerenuma Park in Japan.

A testament to what can be achieved when public officials, artists and the general public work together, the park was completed after Noguchi's death under the guidance of the Isamu Noguchi Foundation, architects Shoji Sadao and Junichi Kawamura (longtime Noguchi collaborators), Kitaba Landscape Planning, Park Director Hitoshi Yamamoto and city officials working with the support of the citizens of Sapporo.

Their achievement is phenomenal and incorporates a full range of Noguchi's work in stone, concrete, wood, metal and fiberglass. More importantly, it showcases his talent for using the sun, sky, Earth and the horizon as his true materials.

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Gulf Coast: A Vision to Revive, Not Repeat

By ROBIN POGREBIN for nyt
Published: October 13, 2005
BILOXI, Miss., Oct. 12 - The work facing architects and urban planners who convened here today at a battered resort is visible right outside the window. A beach strewn with uprooted trees and the detritus of ravaged buildings. Deserted streets lined by flooded empty houses. Hulking casino hotels gone dark.

Over the next several days, this group of some 200 professionals from around the country will struggle to come up with a comprehensive regional plan to rebuild the Mississippi Gulf Coast. It's a design challenge on a grand scale, covering 11 communities in 3 Mississippi counties damaged by Hurricane Katrina.

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paul rudolph tracey towers up in the bronx


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black betty
black betty table


leanon coat rack


brackets included steel shelf


cloud meeting room


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parcel table


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slow cruise on the highline


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The Lower Manhattan Development Corporation (LMDC) has announced that it will launch a series of public workshops to determine the programming for the future Memorial Museum. The museum, to be located at the World Trade Center site, will include fragments of materials from both the 1993 bombing and the 2001 attack. In collaboration with the Civic Alliance to Rebuild Downtown New York and New York New Visions, each workshop will feature a presentation of preliminary programming concepts, currently by developed by curatorial planners Howard+Revis Design Services, Inc., institutional planning consultant LORD Cultural Resources Planning and Management, Inc., and the LMDC. The workshops will offer the public the opportunity to discuss their expectations for the Memorial Museum and to comment on the preliminary concepts. The final recommendations of the Memorial Center Advisory Committee can found on the LMDC’s website: www.RenewNYC.com/memorial.

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more afghan war rugs


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homage to matisse

mark rothko - homage to matisse (1953)


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you think your dad was tough - mp3 of murray wilson and the boys from the help me ronda sessions - in parts or the full 40 min version


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