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Pictures of Nothing


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The only Museum of it's kind in the world, "Electric Ladyland - the First Museum of Fluorescent Art" houses a large room-sized Fluorescent Environment that the visitor enters, becomes a part of the piece of Art, and then experiences "Participatory Art."

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In The Accident of Art, Virilio and Lotringer argue that a direct relation exists between war trauma and art. Why has art failed to reinvent itself in the face of technology, unlike performing art? Why has art simply retreated into painting, or surrendered to digital technology? Accidents, Virilio claims, can free us from speed's inertia. As technological catastrophes, accidents are inventions in their own right.

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renaldo and the loaf

An English duo active in the late seventies and most of the eighties, Renaldo and the Loaf consisted of a pathologist (David Janssen or "Ted The Loaf") and an architect (Brian Poole or "Renaldo Malpractice") who made music often considered strange.

By their own assertion, they achieved their unique sound in part by striving to get unnatural synthesizer-like sounds using only what instruments they had available (acoustic ones.) To that end they routinely used muffled and de-tuned instruments, and often to striking effect, tape loops / manipulation. The two released four full length albums, one collection, various songs on compilation albums, and several self-produced demos. They were "discovered" by The Residents when Brian dropped off a tape at Ralph Records headquarters in San Francisco, during a visit to the US. After being signed to Ralph, they collaborated with The Residents on Title in Limbo.
via vz
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dirty frank

And maybe he’s right. He did indeed live though an interesting time in Chicago’s history, evidenced by the recent surge of literature tracing the era. Not only "Loving Frank" and "Death in a Prairie House" open those doors—Erik Larson’s "The Devil in the White City," of course, is the definitive take on 1890s Chicago, and Karen Abbott’s "Sin in the Second City," about the Everleigh Club, the brothel of brothels, is causing quite a stir this year.

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The [canal] flushing is necessary because, while most of Amsterdam’s 2,800 houseboats have running water, electricity and gas heat, few are connected to sewerage systems and continue to spill their waste into the canals.

The houseboats’ lack of toilet training is their dirty little secret, one that sits uncomfortably with a new generation of wealthier, more demanding owners who are leading a gentrification of the houseboat scene. In the process, they are displacing the less affluent boat people, many of whom are relics of the 1960s and 1970s era of flower power now struggling to pay the upkeep on their boats.

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today in concrete :



George Caria feels quite safe in his new offices at 149 N. Stone Ave., where the city of Tucson has restored a former bank building to its 1950s concrete-bunker glory.

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There is no doubt that modernist architecture can be hard to love, and hard to defend. Few people miss the sink estates, the monolithic offices on podiums that mercilessly broke up the ancient street plans of our city centres, the rain-stained concrete or the brutal multi-storey car parks.


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Mill House Marco Gorini of Strato Cucine

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mexico 6 x 40' container house in progress

links to more pics / so far pretty fugly. hope it takes a turn for the better
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group photo


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quarry resort

via bc
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sinkhole via jz


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