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Dada February 19–May 14, 2006 Important: The images displayed on this page are for reference only and are not to be reproduced in any media. To obtain images and permissions for print or digital reproduction please provide your name, press affiliation and all other information as required(*) utilizing the order form at the end of this page. Digital images will be sent via e-mail. Please include a brief description of the kind of press coverage planned and your phone number so that we may contact you. Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted.


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The celebrated British graffiti artist Banksy also parachuted into New Orleans, posting his light-hearted graphics at public spaces around the city. Call me cranky, but the one that remains, a silhouette of a girl with a wind-blown umbrella (off a salt container?) painted on the concrete levee, strikes me as a bit too blithe.

A local art vigilante, dubbed The Grey Ghost, seems to agree, for he has painted out most of the other Banksy graffiti, along with any other graffiti he can find, with swathes of neutral gray paint. The late Minimalist Donald Judd is said to have done the same thing when his building in SoHo was hit by graffiti.

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The Stamford store is one of 12 Lord & Taylors designed by Andrew Geller, Loewy's in-house architect. Geller's grandson, Jake Gorst, met with the president of National Realty & Development Corp., John Orrico, in October, but failed to convince him to preserve the building. Orrico's letter to the state Historic Preservation Officer last summer said, "There is a small group that is opposing this project, and I believe that, in their effort to try to block us, they are using [the state historic preservation] office as a pawn."

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The Keith Haring Foundation, Goldman Properties and Deitch Projects announce the recreation of Keith Haring’s celebrated Houston Street and Bowery mural. The mural became an instant downtown landmark after Keith painted it in the summer of 1982. The mural was up for only a few months in the summer of 1982 before it was painted out but its image remains imprinted in the memory of many people who were part of the downtown artist community in the early 1980s.

The mural is being repainted by Gotham Scenic using the extensive photographic documentation of the original work. The work will be unveiled on May 4, 2008 the day that would have been Keith Haring’s 50th Birthday.

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the big schnabowski - doesnt he know that this project and the other decorating endeavours devalues his "A"rt? and the meier slagging, defensive much?

Julian is an aesthetic omnivore,” said Dodie Kazanjian, who covers the art world for Vogue and is the director of Gallery Met at the Metropolitan Opera; she toured Chupi a few weeks ago. “Everything he touches becomes a Schnabel. So I looked at it” — Chupi, that is — “like another piece of art.”

But in the neighborhood, there are lingering resentments. “It’s woefully out of context and a monument to this guy’s ego,” said Andrew Berman, executive director of the Greenwich Village Society for Historic Preservation, one of the neighborhood groups that fought to block Chupi’s construction. He has called the building “an exploded Malibu Barbie house.”

“The biggest thing we took away from all this,” he continued, “is that the system is somewhat broken. Developers have the opportunity to break the law and beat the clock on rezoning and the public has little recourse.” (In response, Brian Kelly, a musician and old friend of Mr. Schnabel’s who managed the project for the artist, said, “We played by the rules and didn’t seek any favors.”)

“Personally, I adore it,” said Paul Rudnick, the novelist and playwright, who lives across the street and watched the “landing” of Chupi with great interest. “It’s in the grand tradition of Manhattan white elephants, which make you wonder, Who lives there, and why? It’s already a landmark. And it’s much more in the tradition of the West Village, which is supposed to be outrageous and theatrical, than all those glass towers. When the transsexuals left it seems they were reincarnated as real estate,” said Mr. Rudnick mistily, referring to the professionals who used to line the streets here. “At least the Palazzo does them proud.”

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replacement towel bar


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living with plants via spirit surfers


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A brief history of the "clenched fist" image


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FEMA TRAILER A, B, C's

A) FEMA paid more than 2 billion on travel trailers for disaster relief after katrina and rita.

B) hundreds of gulf coast residents have filed law suits claiming that the trailers have made them sick due to high levels of formaldehyde.

C) FEMA is paying aprox 115 million a year to store 120,000 trailers at 21 locations. fema refused requests to deploy them after ike and they wont sell them despite having received numerous offers.


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