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volvo 240 wagon font


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at the morgan library

Palladio and His Legacy: A Transatlantic Journey features thirty-one original Palladio drawings from the Royal Institute of British Architects. These exquisite drawings, which were exhibited only once before in America and never in New York, will be on view to the public for the first time in over thirty years. They are being presented with rare architectural texts to illustrate the journey from Italy to North America of Palladio's design principles of proportion, harmony, and beauty.

Palladio's work has significantly impacted American architecture from colonial times to the present day. Focusing on the artist's original drawings and following the trajectory of his ideas, the show also traces the story of American Palladianism. The drawings are supported by numerous architectural models. Three large examples—the Pantheon, Villa Rotunda, and Jefferson's unrealized design for the White House—programmatically illustrate the journey from Rome to America. Smaller models along with rare architectural texts and pattern books, through which Palladio's ideas were primarily transmitted, reinforce the themes of the exhibition.

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st ants / hurley

jersey city hard-ass basket ball coach makes it big


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a hound on fire

albert ayler the psychedelic boogaloo years

inventing punk


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faking places


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In 1938, not long after he began work on a master plan for Florida Southern College’s campus, the architect Frank Lloyd Wright sketched a series of small homes for faculty members. Wright and Ludd M. Spivey, Florida Southern’s president, hoped to build as many as 20 houses, but money for them never materialized. The house plans ended up gathering dust while the college built a library, two chapels, administrative offices, a series of academic buildings, and a huge fountain to Wright’s striking designs. In fact, the college has the largest single collection of Wright buildings anywhere.

Now Florida Southern, located in Lakeland, is finally gearing up to build one of the Wright houses. According to M. Jeffrey Baker, a partner in Mesick Cohen Wilson Baker Architects who has been helping the college restore its other Wright buildings, the house will be a flat-roofed, two-bedroom home with walls made of the same custom-cast blocks that Wright used throughout the campus. A cantilevered carport will mark the entrance, and floor-to-ceiling glass windows will open to the outdoors from the living room and the bedrooms. "You can open this house up like a pavilion," Mr. Baker says, to take advantage of the patio and good weather.

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