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second homes for leisure living

via justin
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the da vinci detective on smithsonian channel

ldv art watch
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Take Ivy” has always been extremely rare in the United States, a treasure of fashion insiders that can fetch more than $1,000 on eBay and in vintage-book stores. But scanned images from the book have been turning up online in recent months. Ricocheting around the network of sartorially obsessed Web sites and blogs (like acontinuouslean.com and thetrad .blogspot.com), it has aroused renewed interest for its apparent prescience of preppy style. (In the United States, the word preppy came into popular use only in 1970, thanks to the best-selling book and top-grossing movie “Love Story”; and the full flowering of preppy style would not arrive until 1980 with the best-selling “Official Preppy Handbook.”)

But “Take Ivy” was not prescient; it was totally timely, having been commissioned by Kensuke Ishizu, who was the founder of Van Jacket, an Ivy Leagueobsessed clothing line that was a sensation among Japanese teenagers and young men in the early 1960s. Mr. Ishizu was a kind of Ralph Lauren avant la lettre.

“You could have called it a Van look,” recalled Daiki Suzuki, the designer and founder of Engineered Garments (channeling vintage workwear) and the designer of the revamped Woolrich Woolen Mills line (channeling 1950s New England). He remembers “Take Ivy” from his childhood in Japan and how the Ivy look, as it is generally called there, became basic in the ’70s and ’80s, as the craze for American things like Levi’s and Red Wing boots accelerated. In 1989, Mr. Suzuki moved to the United States to work for a large Japanese store scouting for new American designers and obscure brands to import, like White’s Boots from Washington, Russell Moccasin from Wisconsin and Duluth Pack backpacks from Minnesota.

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So called "carpet cloaks" are the first technology to succeed in hiding objects by deflecting light across a range of wavelengths. Two groups described different cloaks last week at the International Quantum Electronics Conference in Baltimore, Maryland.

Invisibility cloaks work by deflecting light waves so the light that reaches the eye shows no trace of the hidden object. Conventional optical materials can't do this, but a dozen years ago John Pendry of Imperial College London showed it was possible to bend light around objects by building materials made of components smaller than the wavelength of the light.

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dock fittings
plumbing pipe hand rail


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Richard Rogers, the architect who was sacked last week from a multibillion pound development in London after Prince Charles complained about his designs, has accused the prince of "an abuse of power" and "unconstitutional" behaviour.

Speaking for the first time since the Qatari royal family abandoned his plans to build 552 new homes on the site of ­Chelsea barracks, Rogers called for a national inquiry into whether the prince has a constitutional right to become involved in matters such as planning applications which have economic, political and social ramifications.

The 75-year old Labour peer claimed the prince "single-handedly destroyed the project" and attacked him for using his influence behind closed doors to persuade the Qatari royal family, which owns the site, to drop his scheme. He said by interfering in the democratic planning process, the prince had broken "a bond of trust" with the British public.

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beasts at the border

via the rumpus
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wonder boner

via
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Billy Wright was a purveyor of the style of rhythm and blues that reached it's ultimate crystallization with the rise to stardom of Little Richard via the earth shattering sides issued by Specialty starting with Tutti Frutti 1955. Wright was gay and flamboyant, he had worked the tent shows in drag, a great southern, show biz tradition in itself and an important influence on rock'n'roll--hence the term "tent show queen". He sang the repertoire of said tradition, many of the same tunes Little Richard would clean up and take to the bank-- Tutti Frutti ( original lyrics-- "Tutti Frutti/Good bootie/if it don't fit/don't force it/just grease it/make it easy"), Busy Bootin' aka Keep A Knockin', Don't You Want A Man Like Me, etc. Other well known recording artists that came out what was a true underground movement of it's time included Frankie "Half Pint" Jackson, who recorded with Tampa Red in the 1930's, Esquerita, who taught Little Richard his piano style, Larry Darnell, and of course Little Richard, himself a protege of Billy Wright's back in Atlanta at the start of his career. A career that began with Richard performing in drag, balancing a chair on his chin while he sang.
Billy Wright is mostly forgotten today, if he's remembered at all it's because of his influence on Little Richard who has never been shy about recognizing Wright's importance, but in the years 1949-51 he had four top ten R&B hits, he was a good draw in nearly every city with a significant black population, and was a sizable star in his hometown of Atlanta.
-the hound
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teddy boys


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The web site of Branislav Kropilak now features larger scale images of the beautiful parking garages series, and the stunning billboards series of photographs.

via things mag and yeah thats how they talk over there
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It's always a little risky to see in one headline about the architecture business, or in the fate of a single firm, a parable for the profession as a whole. But news that the prefab specialist Michelle Kaufmann has suddenly closed her Oakland office and laid off all 17 of her employees does seem to have Larger Symbolism written all over it.

Kaufmann's is hardly the only prefab firm to face trouble in recent months. Empyrean International, the company that built houses for Dwell magazine's prefab arm, abruptly shut down last fall. Marmol Radziner, the Los Angeles firm known for smartly designed Neomodern houses, has mothballed its prefab factory in Vernon in what it says is a temporary move.

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It took just one-and-a-half days for eight workers to build the frame from 11› tons of steel. The walls were made from prefabricated panels, and the windows were of a type usually used in factories. The staircase was ordered from a marine supplies catalog. The cost? Just $1 per square foot.

That was back in 1949, and the bill didn’t include the labor of the owners, who’d designed the house, or their employees. Even so, $1 was remarkably cheap, especially when compared with the $11.50 it then cost to build a square foot — that’s roughly a tenth of a square meter — of a typical American home. It seems even cheaper if you consider that the end result was occupied by its owner-designers, Charles and Ray Eames, for nearly 40 years. The Eameses went on to become America’s most famous industrial designers, and their new home was to be one of the most influential — and beloved — houses of the 20th century.

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rago and perrault home


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bau-bike

via justin
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cri
alexey brodivitch - floor chair (model 1211-c)
what was good design? at moma


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loud fast jews


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another cool buildings list. this one compiled for short list dot com by chris wilkinson, who designed gateshead millennium bridge


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Architects who see one of their buildings demolished in their own lifetime can now seek solace in a new online support group.

The Rubble Club has been set up to highlight the number of buildings being torn down, as it believes, unnecessarily.

Members so far include Reiach & Hall, who designed the Forth Road Bridge toll booths, and Steven Anderson, part of the design team behind the Chungwha factory in Lanarkshire, which was built for £10m in 1996 and pulled down within a decade.

To qualify for membership, architects must be alive and not party to the destruction of the building in question. The building must have been intended as a permanent structure and its destruction must have been deliberate.
conversely, shouldnt there be the same for artist members of passe movements?
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wheres my cell phone dot com

via dave
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the order of myths

via vz
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museum of british folklore

via things mag
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hobo's bindle
beggerman's rigadoo


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house in kamakura japan by suppose design office

justin found this one
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