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mid century modern diy furniture books at populuxe books
coast modern
things
Not everybody can live on a secluded parcel of land in the Hollywood Hills. But for a long time, Shulman's potent images helped convince Southern Californians that their goal should be to live in a single-family house with a private garden somewhere -- even if it were to be built by companies like the Irvine Corp. on property a lot more than two miles from Hollywood Boulevard.via things
For all those reasons, the documentary operates, however indirectly, as a long proof in support of what might be called Shulman's Law of Unintended Consequences.
Shulman's best photographs undoubtedly qualify as art. But he was very much an artist for hire, and his work was in nearly every case patently promotional, as he was happy to admit. What remains out there, waiting to be tackled, is the question of what, in the broadest sense, he was promoting -- and what the runaway success of that effort has meant for architecture and for Los Angeles.
26 abandoned gas stations (interesting if you can pretend its not art)
WHARTON ESHERICK Hammer-handle chair with burgundy leather webbed seat.
from rago
Détournement, the reuse of preexisting artistic elements in a new ensemble, has been a constantly present tendency of the contemporary avant-garde, both before and since the formation of the SI. The two fundamental laws of détournement are the loss of importance of each detourned autonomous element — which may go so far as to completely lose its original sense — and at the same time the organization of another meaningful ensemble that confers on each element its new scope and effect.SI
Détournement has a peculiar power which obviously stems from the double meaning, from the enrichment of most of the terms by the coexistence within them of their old and new senses. Détournement is practical because it is so easy to use and because of its inexhaustible potential for reuse. Concerning the negligible effort required for détournement, we have already noted that "the cheapness of its products is the heavy artillery that breaks through all the Chinese walls of understanding" (A User's Guide to Détournement, May 1956). But these points would not by themselves justify recourse to this method, which the same text describes as "clashing head-on against all social and legal conventions." Détournement has a historical significance. What is it?
"Détournement is a game made possible by the capacity of devaluation," writes Jorn in his study Detourned Painting (May 1959), and he goes on to say that all the elements of the cultural past must be "reinvested" or disappear. Détournement is thus first of all a negation of the value of the previous organization of expression. It arises and grows increasingly stronger in the historical period of the decomposition of artistic expression. But at the same time, the attempts to reuse the "detournable bloc" as material for other ensembles express the search for a vaster construction, a new genre of creation at a higher level.
rago fall 09 auction online catalog
thx ree
Venom and Eternity, or Treatise on Slime and Eternity (1951)
Self-healing Concrete
via vz
lichtenberg figures
via vz
rockpile
american routes archive / whole lot of good shit in this archive of ten years worth of shows
pipe dreams archive
american public media
emerson: coen+partners
brett king builder bucks co pa
gio ponti in praise of architecture (1960) free read or down load @ internet archive
enzo mari Autoprogettazione
goog pics
city of signs
via things mag
ipod/computer speakers: klipsch promedia 2.1 $150.00 vs bose music monitor $399
srs iwow plug-in
Daring to Look presents never-before-published photos and captions from Dorothea Lange’s fieldwork in California, the Pacific Northwest, and North Carolina during 1939. Lange’s images of squatter camps, benighted farmers, and stark landscapes are stunning, and her captions—which range from simple explanations of settings to historical notes and biographical sketches—add unexpected depth, bringing her subjects and their struggles unforgettably to life, often in their own words.via vz
When Lange was dismissed from the Farm Security Administration at the end of 1939, these photos and field notes were consigned to archives, where they languished, rarely seen. With Daring to Look, Anne Whiston Spirn not only returns them to the public eye, but sets them in the context of Lange’s pioneering life, work, and struggle for critical recognition—firmly placing Lange in her rightful position at the forefront of American photography.
justin found this one
heres a quiz. lets say you are on top of a mountain. where is eye level? i say eye level would be looking straight across to another mountain top of the same height. a certain party i know says its the horizon line regardless of the horizons lines relation to sea level. im prepared to be wrong here, but curious about the answer since this certain party is almost always right. heres all i found.