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from the netflix que

The Architectures collection explores the most important creations in modern architecture, from the 19th century to the latest creations by today's great architects. Each documentary in the series looks at one building, selected for its exemplary features and its role as a landmark in the history of contemporary architecture. The building is examined from top to bottom and analyzed from its foundations to its roofing.

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Max Watman’s description of one of the liquor-distilling experts he interviews in “Chasing the White Dog” also applies to the author himself: “He hobbies hard.” In the grips of a passion for homemade spirits, Watman fumblingly assembles a rudi­mentary still, violating federal law and risking death by explosion or ergot (a poisonous fungus). Such dangers make him anxious, but Watman has the enthusiast’s capacity for losing himself in recondite detail. He lovingly catalogs the ingredients of a whiskey mash on display at a supply store in upstate New York: “crystal six-row malted barley, torrefied wheat, Maris Otter, Belgian candy sugar, flaked maize, amylase enzymes.” He minutely recounts his distillation experiments, but the tone is less instructional than slapstick. “After three sips, my mouth was numb,” he says about one of his early batches of whiskey. He eventually makes some respectable applejack.
via vz
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This site is devoted to building a history of late 20th century radical and community printing collectives in the UK; the poster collectives, the service printers and typesetters, the print resource centres. The presses were part of a chain: activists in organisations wrote and designed the books, pamphlets, posters, newspapers and leaflets which they needed to further the cause. Typesetters and printers produced them. Activists and independent bookshops distributed them. And today? Still activists, still typesetters (digital) and presses (eg Calverts), still independent bookshops (eg Housmans, Centerprise)… But to a huge extent the internet provides the means for radical communications. The history of the presses is a history that doesn't exist except in the memories of the ex-workers, friends and clients. The idea is that people who were involved in the printshops can create and edit the pages. You need to register and get a password to do this. Just click on the login link at the bottom right of this page and it will take you to a dialogue box with a link to register.
via private circulation
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sun city girls cloven theater (collect all 6)


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van vorst park in jc thawed out enough for a few rounds of bocce and noticed the forsythia is popping. woot. please dont forget the not before mothersday rule.


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digitus impudicus


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this is pretty funny. tom moody posts a statement, a dissenting remark and a quibble concerning the blog post internet. neither have their comments feature turned on. (!!!???) see where im going with this?


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“Orange is the sun,” she said, “and lavender is the most spiritual color of all — violet gives you calmness.”

>>cough<< bullshit >>cough<<
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the great pacific garbage patch


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redline guages


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hoarders need to meet the pickers


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void house

via justin
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captain organic ross lovegrove

via vz
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no photo 303 glry

via afc
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743vv


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on talking to plants - plant perception (paranormal)


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A. Brayman’s RAD lamp

via reflib
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xxx4961

carl aubock
architonic, 1st dibs, design and fun and sigmar via reference library


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sound portrait archive

via vz
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This one-of-a-kind siding product comes from olive tanks fabricated by the George Windeler Company of San Francisco in the 1930s. The unique charcoal-grey patina and surface texture comes from decades of exposure to the hot dry summers and chilly wet winters of California’s Central Valley. Once oiled, this material turns a deep ebony with burgundy undertones and reveal.

These unique redwood crescents come from vintage wine tank bottoms. Wine tank redwood is prized for its clarity, grain, patina and 'flavorful' history. A deep, rosy hue from decades steeped in wine gives this already special material additional beauty and prestige. The as-is weathered surface of this wood has been darkened to a charcoal-amber appearance by decades of exposure to sun, wind and rain – the same rarefied climate that produces California wine grapes. The interior face of this wood is marked by crystallized wine residue. Once remilled and oiled, it reveals a rich burgundy luster. This material is well-suited for a variety of applications, including furniture, shelving and finish installations.
via vz
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out of print

via vz
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homes less than 30K

27k easton pa (keep out) brick building


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drive a tank


via vz
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