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working in the warehouse blues
in ground fiberglass swimming pools
not enough jazz in your life? stream from the phil schaap radio archive. a slew of hour and twenty birdflights (university of charlie parker), plus a bunch of five + hour birthday tributes and memorial shows. + more more more swing.
calder foundation
"I want to ask you a question," Sonnabend says, "if you are creating yourself as you painted your picture?" In other words: Does a human being's dynamic experience create life's meaning? Or, does human life already have a meaningful essence?via LR fb
De Kooning greets this existential inquiry with genial aplomb, before waving it away like a bothersome housefly. A common question in the period's critical discourse, it is clearly one whose answer he has recited many times.
"Everything is already in art," the painter gently demurs. "Like a big bowl of soup. Everything is in there already, and you stick your hand in and you find something for you."
"Like a big bowl of soup." De Kooning is talking the way artists talk among themselves, not the way critics, curators, theoreticians or historians write about art — and not even the way artists describe their practice on formal occasions. In the intimate environment of his studio, among fellow painters and friends, the high-flown existential mysteries and profound philosophical dramas of painting are handily reduced to soup.
made in france
willy guhl cement outside seat published in 1954
erwin hauer modular constructivism
spray-on duct tape
Open the Door, Richard" started out as a black vaudeville routine. Pigmeat Markham, one of several who performed the routine, attributed it to his mentor Bob Russell.[2] The routine was made famous by Dusty Fletcher on stages like the Apollo Theater in New York and in a short film [Archive.org]. Dressed in rags, drunk, and with a ladder as his only prop, Fletcher would repeatedly plunk the ladder down stage center, try to climb it to knock on an imaginary door, then crash sprawling on the floor after a few steps while shouting, half-singing "Open the Door, Richard". After this he would mutter a comic monologue, then try the ladder again and repeat the process, while the audience was imagining what Richard was so occupied doing.
Jack McVea was responsible for the musical riff which became associated with the words "Open the Door, Richard"[4] that became familiar to radio listeners and as many as 14 different recordings were made.
The recording by Count Basie was released by RCA Victor Records as catalog number 20-2127. It first reached the Billboard magazine Best Seller chart on February 7, 1947 and lasted four weeks on the chart, peaking at number one.
The recording by Dusty Fletcher was released by National Records as catalog number 4012. It first reached the Billboard Best Seller chart on January 31, 1947, and lasted five weeks on the chart, peaking at number three.[6]
The recording by The Three Flames was released by Columbia Records as catalog number 37268. It first reached the Billboard Best Seller chart on February 14, 1947, and lasted three weeks on the chart, peaking at number four.[6]
The recording by Louis Jordan was released by Decca Records as catalog number 23841. It first reached the Billboard Best Seller chart on March 7, 1947, and lasted two weeks on the chart, peaking at number seven.[6]
The recording by Jack McVea, recorded in October 1946,[4] was released by Black & White Records as catalog number 792. It first reached the Billboard Best Seller chart on February 14, 1947, and lasted two weeks on the chart, peaking at number seven.[6] As stated above, this was the original recording.
For all the artists above except Jordan, this was their only hit on the charts. (This even includes Count Basie, despite his great fame, and despite the fact that this was a number-one hit for him.
chicken tractors
via lew shelterpub fb
fredericksburg sunday houses
A-G and Kitsch clem greenberg
Analemmatic sundials: How to build one and why they work
pdf more info / wikipedia entry / notes on kitsch
Big Al solar brewery seattle wa
provisional painting
Sumptuary law / dress code - refusal of work shirt / Baptiste of Cambrai
Hillebrandt by Rietveld
sketch chair