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tom moody


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WHY INFINITE FILL? WHY NOW? (SOME THEORIES)

Speaking of Infinite Fill patterns, an artist saw the image of mine below printed out in the studio and said something like "It's so old it's new again." That's actually kind of a bad reason to be working with these patterns and programs: what might be called the fleeting buzz of historicization. Two generational moments connected with an emerging technology are when you experience it in all its newness (especially in pimply adolescence), and when you encounter it nostalgically as a kind of "future past." The rubbing together of those two instants can throw off some sparks, but they're pretty meager to power a body of work, or a career. Better reasons for using old programs might be: (1) to access good effects that have been superseded or "improved" in newer programs, (2) as a way of clearly revealing the futuristic assumptions, mass production values, or plain bad aesthetics of existing programs (most of which are just tricked-up, bloated versions of the old ones), and (3) because less is more, as Kate Moss once said.

50s Fill Still


- tom moody 7-22-2004 11:05 am [link]