tom moody

tom moody's weblog
(2001 - 2007)

tommoody.us (2004 - )

2001-2007 archive

main site

faq

digital media tree (or "home" below)


RSS / validator



BLOG in gallery / AFC / artCal / furtherfield on BLOG

room sized animated GIFs / pics

geeks in the gallery / 2 / 3

fuzzy logic

and/or gallery / pics / 2

rhizome interview / illustrated

ny arts interview / illustrated

visit my cubicle

blogging & the arts panel

my dorkbot talk / notes

infinite fill show


music

video




Links:

coalition casualties

civilian casualties

iraq today / older

mccain defends bush's iraq strategy

eyebeam reBlog

hullabaloo

tyndall report

aron namenwirth

bloggy / artCal

james wagner

what really happened

stinkoman

antiwar.com

cory arcangel / at del.icio.us

juan cole

a a attanasio

rhizome.org

three rivers online

unknown news

eschaton

prereview

edward b. rackley

travelers diagram at del.icio.us

atomic cinema

lovid

cpb::softinfo :: blog

vertexList

paper rad / info

nastynets now

the memory hole

de palma a la mod

aaron in japan

NEWSgrist

chris ashley

comiclopedia

discogs

counterpunch

9/11 timeline

tedg on film

art is for the people

x-eleven

jim woodring

stephen hendee

steve gilliard

mellon writes again

eyekhan

adrien75 / 757

disco-nnect

WFMU's Beware of the Blog

travis hallenbeck

paul slocum

guthrie lonergan / at del.icio.us

tom moody


View current page
...more recent posts



Daniel Albright, a teacher of mine at UVa who is now at Harvard, returns often to the theme of "elementary particles" in poetry, music, and art--the charged, irreducible core memes that make art art. His writing has much to say to current digital practice, I think, where pixels, vectors, and 1s and 0s have become a philosophical as well as technological obsession. Quantum Poetics: Yeats, Pound, Eliot, and the Science of Modernism mercifully sidesteps New Age-y Tao of Physics murk in favor of single-minded focus on the wave/particle duality, dividing the poets into one or the other function. Thus, Yeats surfed The Wave with the all-encompassing poetic cosmology of A Vision, the image- and vortex-seeking Pound was a particle man, and Eliot's perverse blend of urban anomie and squishy undersea metaphors seemed All Wave until the appearance of "Christ particles" in his late work. Untwisting the Serpent: Modernism in Music, Literature, and the Other Arts begins with a consideration of the Laoco÷n problem--Lessing's formulation of the "rules" for expressing ideas in different media--and then zeroes in on peak moments in musical theatre where sounds, speech, and scenery achieve a synaesthetic unity. Albright takes most of his examples from the early 20th Century and avoids recent artforms based on newfangled gadgets, but many concerns of the Modernists--the interest in science, the exploration of psyches shaped by a technological society, the centrifugal splitting of aesthetics--have never been more relevant. (Which is not to say we have to throw out poMo critiques of those agendas.) Fair warning and/or full disclosure: In this blog and future writings I'll be leaning heavily on my old Prof's work as I stumble around trying to make sense of what's going on with new media, electronic music and tech-based gallery art.

- tom moody 10-26-2004 8:31 pm [link] [8 comments]