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Paul Slocum suggests using knitPro
to upload bad JPEG images so they could be rendered as cross stitch or needlepoint projects. Good idea, but man, that would be difficult to pull off. My sense is the stitched piece would have to be both enormous and extremely detailed to show the horrible "bicubic mush" that results from poor compression (which only the extremely perverse are apt to find funny anyway). Nevertheless, I have a candidate: it's a late Op Art piece by Julian Stanczak on the Stefan Stux website [Since removed]
. In real life those stripes are super hard-edged, but on the Web, well...
UPDATE: Here's Paul's draft of a proposed "bad JPEG" fiber art project. He has more to say about it in the comments. I'll be away from the computer for a while but the obvious next step is to run this through knitPro.
More opinions on what the Stanczak image suffers from would be welcome--Paul pegs it as a bad resolution issue rather than a too much compression issue. I realize it's hard if you haven't seen the actual painting, but assume it's a black and white image with razor sharp lines. The whole thing is out of focus but mushy spots with added color at regular intervals look like the type of thing you see when saving something too many times at the "low quality" setting. It's important to know why things are an utter failure at communicating.
Another comment, from Dan, persuasively identifies the problem with the Stanczak image as one of bad resolution, not bad compression, but it's academic now because Stux has removed the murky black and white pic from its website. A new show of Stanczak work opens soon so I'm sure it was because of that. For bad jpegs of famous Canadian paintings, please see this post
on Sally McKay's weblog, which she explains was inspired by a now somewhat quaint 1953 article by George Elliot warning that art should not be shown on television. " A painting needs an intellectual presence before it can work its magic. Placing
anything between the viewer and the painting kills the viewer