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Werner Herzog's Grizzly Man
, opening in movie theatres tomorrow, sounds creepy-fascinating. Herzog acquired the footage of a would-be documentarian of giant Alaskan grizzlies, and framed it with Herzogian narration and editing. From Village Voice
writer Michael Atkinson
's description, the bear guy sounds like a cross between Jane Goodall and the football-throwing damaged specimen in Napoleon Dynamite
. Atkinson says the film awkwardly captures the essential contradictions between the naively nature-loving filmmaker, eventually killed by the bears he filmed, and Herzog, who as anyone who has heard his monologue about the jungle in Burden of Dreams
knows, sees the natural world as an arena of grinding implacable forces. The footage included audio of the bear-lover and his girlfriend being killed, but the audience is mercifully spared it--other than to watch Herzog listening to it and then ordering an assistant to destroy it. I can already visualize that scene; not to take anything away from the tragedy, but Herzog is so serious he cracks me up, as he says, "against my better judgment."