tom moody

tom moody's weblog
(2001 - 2007)

tommoody.us (2004 - )

2001-2007 archive

main site

faq

digital media tree (or "home" below)


RSS / validator



BLOG in gallery / AFC / artCal / furtherfield on BLOG

room sized animated GIFs / pics

geeks in the gallery / 2 / 3

fuzzy logic

and/or gallery / pics / 2

rhizome interview / illustrated

ny arts interview / illustrated

visit my cubicle

blogging & the arts panel

my dorkbot talk / notes

infinite fill show


music

video




Links:

coalition casualties

civilian casualties

iraq today / older

mccain defends bush's iraq strategy

eyebeam reBlog

hullabaloo

tyndall report

aron namenwirth

bloggy / artCal

james wagner

what really happened

stinkoman

antiwar.com

cory arcangel / at del.icio.us

juan cole

a a attanasio

rhizome.org

three rivers online

unknown news

eschaton

prereview

edward b. rackley

travelers diagram at del.icio.us

atomic cinema

lovid

cpb::softinfo :: blog

vertexList

paper rad / info

nastynets now

the memory hole

de palma a la mod

aaron in japan

NEWSgrist

chris ashley

comiclopedia

discogs

counterpunch

9/11 timeline

tedg on film

art is for the people

x-eleven

jim woodring

stephen hendee

steve gilliard

mellon writes again

eyekhan

adrien75 / 757

disco-nnect

WFMU's Beware of the Blog

travis hallenbeck

paul slocum

guthrie lonergan / at del.icio.us

tom moody


View current page
...more recent posts



Missed the Rhizome Net Aesthetics 2.0 panel in Chelsea a couple of nights ago because I had to w*rk. Too bad--really wanted to go. MTAA has a report. The distinction between the early vernacular web and the current more "regulated" web laid out in in Olia Lialina's article here serves as a good background for understanding the shift from net art 1.0 to version 2.0. Essentially it's the world of home pages, links, and artist-scientists vs the world of blogs, Google, and fast delivery of every imaginable kind of content (except the gallerygoing kind), with artists, scientists, and artist-scientists struggling to make sense of it. I have also pontificated on it, though not in product release terms. Another distinction I would make is between the anecdotal ('70s conceptualism in web form--what Sally McKay has called "long-loading, find-the-place-to-click-me narratives packed with theoretically correct reference to the body or lack thereof") and the purely experiential (entertainingly transgressive images, music, and video produced in a collaboration-friendly, peer to peer, non-Industry environment; deliberate confusion between professional and amateur [the vernacular thankfully hasn't gone away]; better sound and pictures generally) that broadband and googling makes possible.

Update: Sal Randolph has a report on the panel at Rhizome.org.*

Update, 2011: The Rhizome link has been changed to http://rhizome.org/discuss/view/20235/ (scroll down to Randolph's comment).

- tom moody 2-08-2006 11:59 pm [link] [add a comment]