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Dennis Hollingsworth has posted a thoughtful reply
to my post about a recent painting of his. He also responds to some of the comments about his work
after that post, which ranged from complimentary to dismissive to WTFBBQ? To answer queries about the physical creation of his paintings, he offers an annotated photo of his studio tools. These reminded me of an interesting exhibit a few years ago at Apex Art in NYC, curated by Charles Goldman, called "Making the Making," where Goldman presented an array of the actual home-built devices used by artists to make their work. The variety of people's creative methods, as reflected in the eccentric and/or scrupulously precise objects on display, suggested an alternative form of discourse, approaching the level of art itself. It's an esoteric subject, but unlike, say, the museological presentation of writer's notes or musical notation, or even the how-tos of movie F/X, visual artists make this behind-the-scenes stuff so there's a higher chance it will have intrinsic visual interest, or even a reflexive function. Hollingsworth's "daubers" of wrapped, stained cloth, and the origami pincers he uses to create his sea-urchin-like "monads" might have been a nice addition to Goldman's show.