tom moody

tom moody's weblog
(2001 - 2007) (2004 - )

2001-2007 archive

main site


digital media tree (or "home" below)

RSS / validator

BLOG in gallery / AFC / artCal / furtherfield on BLOG

room sized animated GIFs / pics

geeks in the gallery / 2 / 3

fuzzy logic

and/or gallery / pics / 2

rhizome interview / illustrated

ny arts interview / illustrated

visit my cubicle

blogging & the arts panel

my dorkbot talk / notes

infinite fill show




coalition casualties

civilian casualties

iraq today / older

mccain defends bush's iraq strategy

eyebeam reBlog


tyndall report

aron namenwirth

bloggy / artCal

james wagner

what really happened


cory arcangel / at

juan cole

a a attanasio

three rivers online

unknown news



edward b. rackley

travelers diagram at

atomic cinema


cpb::softinfo :: blog


paper rad / info

nastynets now

the memory hole

de palma a la mod

aaron in japan


chris ashley




9/11 timeline

tedg on film

art is for the people


jim woodring

stephen hendee

steve gilliard

mellon writes again


adrien75 / 757


WFMU's Beware of the Blog

travis hallenbeck

paul slocum

guthrie lonergan / at

tom moody

View current page
...more recent posts

Artforum magazine's website has recently gone interactive; there's a "talk back" feature that allows you to comment on its articles and reviews. So far people aren't being shy (except about using their real names)--there is currently an entertaining thread about Tim Gardner's show at 303. First, we read Frances Richard's Critic's Pick, which is the magazine's typical, nicely written rubberstamp, followed by this fairly amazing post by "Skull," defining Gardner in terms of local (NYC area) grad-school politics:

"If Tim had gone to Y[ale] instead of C[olumbia] his work would have been enormously different because of Mel [Bochner]. Tim did not get accepted even with a positive nod from Catherine [?] and Sylvia [?]. Mel didn't get accepted either. Dick [?] was responsible for this, who coincidentally was Joseph [?]'s TA. Pedro [Barbeito] was Dick's TA at Y but Mel was the big rooster by that time and it made no difference that Dick was no longer the stupid brother among the grumpy old men.

"Ron [Jones], who was formally the big rooster at C while Tim was there, was henpecked out by Archie [Rand]and the older hens; Mathew [?] and Carroll [Dunham] could not help out their fellow rooster. Jessica [Stockholder] now controls the S[culpture] house at Y. Ron has gone west and with a middle-age move Jerry [?] now has finally decided to [stop] switch hitting and is settling at C. He was not allowed to go back to Y in the P[ainting?] program anyhow. The Ph[otography] program is different with Greg [Crewdson] directing. And with all the players acting so independently, the three artists share philosophy that has sentimental found-object photography influencing their paintings. Mel and Pedro with Johns; Tim with Wyeth."
There may actually be a theory in there somewhere, and I confess I'm too blase to fill in all the names (anyone is welcome to flesh out the list with the anonymous, add-a-comment feature below). Nevertheless, the post is amusing because it cuts against the official, authoritarian voice of the magazine and (inadvertently) raises the question of how a recent MFA comes to be showing at a high-profile Chelsea gallery (aside from genius, of course). Artforum may soon wish it hadn't opened the Pandora's box of interactivity, but I'm glad it did.

Tim Gardner, Untitled (Val & Flamingos), 2001
watercolor on paper mounted on panel, 5" x 7"

- tom moody 5-16-2001 5:33 am [link] [3 refs]