 The image in this post from my main blog is a "virtual" version of a series I did in the early to mid-'90s, of acrylic and gouache molecules painted on giant, taped together sheets of doodled-on, throwaway paper. I did quite a few of these pieces (detail of one above--full sized one in progress below) before moving to New York and getting minimalist religion.
 I mean, I like the ability of avowedly maximalist work to upset people. Collectors prefer elegant black and white abstractions that fade into the background, and the bad kid in me wants to make something they'll totally hate. And these are bad--there are a lot of degraded, half-finished pin-up girl drawings you can't see in the scanned polaroid, and bug-eyed caricatures, just the worst stuff. I'm compelled to do this kind of work (still) but once it's finished and I step back and look at it, I sometimes wish I hadn't.
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The image in this post from my main blog is a "virtual" version of a series I did in the early to mid-'90s, of acrylic and gouache molecules painted on giant, taped together sheets of doodled-on, throwaway paper. I did quite a few of these pieces (detail of one above--full sized one in progress below) before moving to New York and getting minimalist religion.
I mean, I like the ability of avowedly maximalist work to upset people. Collectors prefer elegant black and white abstractions that fade into the background, and the bad kid in me wants to make something they'll totally hate. And these are bad--there are a lot of degraded, half-finished pin-up girl drawings you can't see in the scanned polaroid, and bug-eyed caricatures, just the worst stuff. I'm compelled to do this kind of work (still) but once it's finished and I step back and look at it, I sometimes wish I hadn't.
- tom moody 12-23-2004 7:08 am