- steve 6-28-2010 3:25 am

they have a spelling mistake.....its bruce you like his work?/
- Skinny 6-28-2010 1:06 pm [add a comment]

  • I'm not familiar with it. Will wiki.
    - steve 6-28-2010 3:09 pm [add a comment]

Conner's collaborations with musicians include Devo (MONGOLOID), Terry Riley (LOOKING FOR MUSHROOMS (long version) and EASTER MORNING}, Patrick Gleeson and Terry Riley (CROSSROADS), Brian Eno and David Byrne (AMERICA IS WAITING, MEA CULPA) and three more films with Gleeson (TAKE THE 5:10 TO DREAMLAND, TELEVISION ASSASSINATION, and LUKE). His film of dancer and choreographer Toni Basil, BREAKAWAY (1966), featured a song recorded by Basil.
- anonymous (guest) 6-28-2010 11:03 pm [add a comment]

A MOVIE (1958) is an experimental film in which Bruce Conner put together snippets of found footage, taken from B-movies, newsreels, soft-core pornography, novelty short films, and other sources, to a musical score featuring Respighi's The Pines of Rome.
The film is associational, in which a number of narratively and spatially unrelated shots from a number of sources are edited together to evoke emotions and make thematic points. A MOVIE consists of many shots of animals and people moving quickly, precariously balanced objects, cars and people crashing, and, perhaps most importantly, violence and war. This film is generally viewed as a metaphorical commentary on humanity's violent nature. The film has also been described as a metaphor for sex where the men traveling are the sperm, ending with a scuba diver, representing the sperm reaching the egg.
In 1994, A MOVIE was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
- anonymous (guest) 6-28-2010 11:11 pm [add a comment]

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