The only place I can find in the entire nation (using limited searching tools) the full boat a) IMAX b) 3D c) HFR release of the Hobbit-Smaug movie is the Chinese Theater in Hollywood. In any large city, you can find either IMAX 3D or HFR 3D, but not the trifecta. That is in just the one theater.

I fear the dilution of our precious national frame rate. Don't count on the Europeans to help. Those barbarians think 50 Hz is perfectly adequate. Video delivery in the US is increasing done with mobile and notebook devices -- at 30 Hz rather than good old American 60 Hz. Yes, I said it, 30 Hz video. And somehow that's okay. If that's okay, then why bother with 48 Hz in the theater. And likewise, if the theaters get by with 24, what's wrong with 30 Hz "TV". If Peter Jackson's experiment doesn't gain market traction, we may lose a generation to low frame rate visual imagery.

But the very devices that bring the scourge of 30 Hz video may be the solution. Deep inside the production studios will exist the master format: 60 Hz video. The video production professionals know what's up, and won't let their visual imagery stutter. One mobile device maker will dig deep and tap into that high frame rate video. "Why do sports look like shit on my phone?" "Dear sir, you suffer from low frame rate syndrome. Try one of my brand!"

(I think 24 Hz is a lovely temporal format. But it should be one of many. Personally, I like 120 Hz, but let's not get ahead of ourselves.)


- mark 12-14-2013 6:39 am


return to: /cinefiles


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