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11 matchs for erica+lewis:
Find Katrina Victims
(Update: 9-6-05, Mandy Vincent has been rescued along with thirty others she had taken into her house on Dumaine St. and is now on her way to Oregon. She has a couple of teenage boys with her. I do not know how many people on this list were with her (although I can safely say a good few would not have been) and of these, and also the thirty with her at the house--airlifted to various cities--I have no word.)
These are people I would like to know about from the city of New Orleans, Louisiana. What they would have in common is some connection to the 2600 block of Dumaine, possibly related to the deceased Dolores Santiago (Mama D, formerly of 2641 Dumaine), and almost certainly they would not have evacuated the city prior to the arrival of Hurricane Katrina. They would all also know Mandy Vincent at 2646 Dumaine, who has been caring for,assisting, and tutoring neighborhood children and teens for the last ten years, at that address. She also has not been heard from. Listed ages are approximate. There are this many more that I could list but hopefully one or two of these people would know about the others:
Shelton Ray Jackson, 20
Fermin Santiago, 19
Evelyn Santiago, 35
Julia Santiago, 17 (and children)
Glynn McCormick, 19
Lance Price, 21
KaKa McCormick, 21
Eric McCormick, 29
Jacque Lewis, 19
Shentrell Lewis, 13
Nettie Lewis, 17 (and child)
Marqin Lewis, 16
Kenosha Lewis, 20
Keshonika Lewis, 26
Erica Lewis, 13
Lulu & and son Greg
Phillis Santiago, 30
Joe Nixon, 35
Billy Nixon, 33
Van Casmere, 45
Beulah Green, 45
Eddie Green, 23
Yolanda Alexander, 30
D'Andre Alexander,16
Chris Alexander, 13
Justin Alexander,11
Bryan Henry & cousin Irvin
Bebe Lewis, 27
Jermaine Lee, 32
Michael Lewis, 20
Barbara Granpre, 48
Kizzie, 23, and kids:
Raticia, 13
Shadrica, 11
Corey, 7
Twins, Jonanthan and Joshua Short, and Mario, 20 from:
Dorgenois and Dumaine.
1234567890 10.7.98
ruieruh39r35r99439r59ghe90fuherdbwdiwrywurueurueuru9e4u9trtjirtoiiritirigor
oitigygagysgasgagshhahhahhshhshgyhbxijyitirfi9ti r4ur4tiit5uuhrhhhhgh and I
are writing a story. I sent her away to get a chair.
afwngswtswstge3gwgsefgsegdf34gg3ew and now she's back erica lewis
its my turn now and now what are you doing
HGBNMASDFGHJKLWERTYUIOP----------------kidstuff
how old are you Terrioues?
five
five? are you big for your age?
erica's five and I'm bigger than her
but boys, are you bigger than the other boys in kindergarten?
yeah, 'cept for two girls, they twins.
The Adopted Father Of Dumaine 6.15.97
Fun projects for the kids: An empty 20-ounce coke bottle becomes a macabre, lifeless, terrarium, in this easy-to-do project for children ages 6 to 12. Simply put two live chameleon lizards, with or without tails, in bottle. Make sure to screw cap on and don't puncture bottle as any breach in the plastic will extend the life of your lizards. Pass bottle between children, lettting each child torture these fascinating and harmless creatures to their satisfaction. Slick and gooey with bloody contusions, your lizards will soon stick to each other in a myriad of real life positions. Marvel as your children learn to recognize the everyday predicaments of life in an airless vacuum. --Look at 'em making love. --that one on the bottom look none too happy. --Look at 'em fight. --that one on the bottom look none too happy. --I think they dead. --that one on the bottom look none too happy. As an added fun feature to this project, witness your children as they explore the applications of Darwinian theory. Yes, stronger children really can hold down weaker children and place pulverized lizard parts on their heads…
Note: the lizards were already dead by the time I came to witness this little science project. I did not interfere with their fun until they began exploring the sewage line access at the front of the property. It has an eight inch square cast iron lid with the address of a Rampart Street plumber from 100 years ago and is about ten inches deep. A four inch ceramic pipe can be seen at one edge of the hole disappearing under the sidewalk.
The players: Shelton Jackson 12, Jacque Lewis 11, Bryan Henry 9, Marqin Lewis 8, and Erica Lewis 3. All players are now huddled around this hole when Shelton says, "Mr Jim, come see."
Grumbling, I step down from the front porch and stand over the hole. I see the tops of five children's heads.
"You seem "em Mr. Jim."
"No."
Erica squeals, "lookit Mr. Jim, lookit." Erica, the sweet dark angel of Dumaine--father unknown, mother 17, is hiding in California to avoid a local warrant--is now squatting over the hole to get a closer look at…
…"Oh how nice, baby rats." And as I watch these children open and close the iron lid, banging on it with sticks and then opening it again to see what affect they are having on newborn rat babies, I wonder what is going through people's minds when they query me as to why I have no children of my own.
"Shelton! Do not torture those rat babies!
"I won't Mr. Jim."
"I mean it, Shelton. I didn't come out here to watch a bunch of pyscho kiddies torture animals."
"I know that Mr. Jim. Ya'll cut out all that banging."
"And don't poke them with sticks."
Shelton slaps his cousin, Marqin, across his head. Marqin says,
"Why you hit me, Shelton.?"
"Mr Jim don't want us torturing them babies."
"That right Mr. Jim?"
"That's right Marqin."
"We can look at 'em Mr. Jim."
"Just look at 'em Marqin."
And I'm trying to figure when I'll have the opportunity to throw some rat dope in that hole to kill the bitch rat. Fuck a bunch of rat babies.
Dreiser And The Chipmunks
I really have to wonder sometimes if the practical joke on me is so obvious as having a sign around my neck or pasted to my forehead which says "Feel Free to Take Advantage." When I look in the mirror I don't see any such sign but with brow furrowed in disappointment at the lack of obvious explanations I did once see what looked like a big letter G and I knew it could only stand for Gullible.
At 41 I don't think I should be said to suffer from angst--which I think is a twenties and thirties disease--but for a couple of days now it sure feels like that which I used to experience and then later learned to call angst. Pardon? Oh no, no, not ennui. Not that I feel above the emotion but I wouldn't go on and on about it like I appear to be ready to do in this case. I need to be careful though because I think New Jersey Bill hinted at the subject of overt online whining possibly being seen as a cry for help and I do wish to avoid being accused of that. But if the subject should ever come up, the answer is no, he's not. At worst, he, that is I, suffer(s) from occasional delusions of utmost safety while wrapped in the cocoon of my (his) wordplay and story telling. He, or is it I, sometimes feel(s) so capacitated with the imagined power of (imagined?) honesty that he/I will go on about things which are really not appropriate for the polite dinner table discussion. And I should add here: I don't get invited out to dinner very often.
When I did finally get back to work at Rocheblave it was behind the momentum of a surging magnanimity that had me not cowering at the possibilities that can present themselves on Rocheblave (and to the point, Dumaine, for that matter), that is--the hustling of the man who looks like he can afford to be hustled. This phenomenon is not limited by race and yet race is a single factor among many which I would be remiss not to address on ocassion. I am a less than wealthy white man in a predominately less than wealthy black neighborhood. As to what race has to do with it I offer that for my years spent here I have been given the privilege of having wee bits of untainted colloquialism spoken in my presence. The same black man who believes, or wishes to believe, or wishes me to believe he believes, that there is no essential difference between the two most dichotomous races will quite honestly refer to any member of the governing or policing power structure as "the white man," and this despite the fact that here in New Orleans the mayor and chief of police are black men, as well as the majority of beat cops in this here the First District. It seems unfair (to the whining bitch anyway) that a world where race won't matter can be imagined and yet never achieved.
And I said I'm not wealthy and that most of my neighbors--on the most obvious scale of relative monetary wealth--are not wealthy, but let me be so bold as to say that the youngest possible reader of this will not see the day when the not addressed but inherent mood of man is that of white is better than black. Many a northerner would shake their heads on account of that imagined separation they might feel due to the geneology which puts them on the winning side of that Civil War, one aspect of which was anti-slavery. But if one will look there is far more history suggesting that "the white man" both North and South has at least a benign sense of superiority over the man whose skin is tinted black. So I am imbued and invested--like it or not--with the currency of that dubious privilege of lightness, and therefore who do I blame for the easy rationalization of white man as "wealthy."
Back at Rocheblave, and perhaps overcompensating because of shame felt for the attempted murder of midsummer's drunken shoe solictor, I am friendly to all who pass and confront me. I told the one man that his offered steel toe workboots were two sizes too small and his thirty pounds of grocery plastic wrapped fine china were simply not what I needed. I was drinking an ice cold budweiser at the time and so I told him with the tone of good buddy "that if you come back in the future when I have the porch built out here, I'll drink a beer with you." His smile and nod was to say that's all fine and good but promises are a comfort to fools so, "could I have a dollar now to get me one at the store." No doubt. I give it up.
I'm running this Roto-zip tool with the masonry cutting blade along the paint filled grooves of my beaded porch ceiling and LuLu shows up below me and I raise my goggles but do not lower my dust mask. Ralston in his blue SUV is by the curb and LuLu wants to know can he have ten dollars until some such day in the future. He always pays me back so I don't worry too much about the specifics of when. Other than a couple of large bills all I have is nine dollars. "Do you think nine is OK?," I ask LuLu. She seems to think that's OK so I step down from the ladder and carry the cash to the car.
A few minutes after Ralston pulls away this couple I call D&D--because their names are Dennis and Diane--show up and want to know do I have any work for them, and if not that, then a few dollars, and if not that, a quarter. I give Diane a quarter.
Later I have to go to the Home Depot to get some two by fours and as I'm cruising the lot for a parking space this Beaudreax lookin dude (that would be the local cajun red neck hell raiser), asks me will I take his merchandise and return it for him because he doesn't have the receipt or a drivers license. I don't even pause, just tell him I will give it a try. He pats me hard on the back and I dislike him immediately. Inside the store they almost try to arrest me but I'm not having any of that so I grab the bag and go outside. Beaudreax can't hide his disappointment while asking "what happened?" I tell him the guy acted like he was gonna bust me and Beaudreax says, "I knew I should have gone in with you." I tell him he'll have to run his game without me. I can't even go back in the store now I'm so embarrassed and besmirched. I drive the several miles back to New Orleans, the last part over that mine field which is Earhart Blvd. and I can't work so I go to Dumaine.
I'm in a such a shitty mood that when Erica Lewis stops by for a visit I have barely a bit of affection for her. At one point she tries to bring me out by reciting the title of the book I have been reading for some time now. "An," she says. And then, "Ameglia." I correct and say, "American." "Talahomey," she says. "Tragedy, An American Tragedy, by Theodore Dreiser."
"Theodore is one of the chipmunks."
"Yeah that's right, and Alvin is another, and the last one is..."
"Simon. They bright" (as in light skinned black person).
"But that man in charge of them, he's..."
"No, he your color," she says pulling on the hairs of my wrist.
The next day is Saturday and I go to a different Home Depot and buy fifteen recessed cans for my electrician, who is coming to do rough in on Monday. I drop the stuff at Rocheblave and decide catching an early movie would be better than working. I see the Cameron Crowe flick, Almost Famous, it seemed to be about purity, and that actor who played the part of Lester Bangs was great. Movies intoxicate me. And oh yeah, for some reason, one of the opening songs is that chipmunk Christmas ditty. I remember the night before telling Erica how I grew up with those chipmunks. "You grew up with them?" she said. "Yeah, " I lied, "We went to the same school."
Wednesday
Shortly after posting to Mr. Wilson there was a hard boot; electricity out; out to the porch to confirm with neighbors, a word here, a signal there, it's unanimous, the block is down. The sky to the south, over the mile distant French Quarter, is black.
The weather gods bringing fifties and sixties to the northeast has us down here praising hallelujah the windy upper eighties, so I sit on the steps with the budweiser, which has gone warm in deference to the single malt, and converse with Van, saying comfortably little.
We are approaching the day that is Mama D's birthday and this will be the first year she won't be here with us to celebrate, which is to say there won't be any celebrating on Dumaine.
A young man from Maurice's Impressive Designs Haircutters turns the corner of opportunity, lights out, and stares hard at the house I sit leaning against. Shelton comes out and I adjust my position on the steps to allow him passage. Instead, he jumps off the porch and crosses the street, shaking his hand like a maraca, apparently to gain the attention of the young haircutter. They proceed to play craps against the still vacant former home of Mama D, Shelton holding and showing to the world his small wad of green which to him and many equates to a successful manhood. To a crackhead with a gun he would equate to an easy mark.
Former neighbor, and Mama D companion, Ralston, driving his low end SUV, pulls up to the curb and says hello to Van and I. Erica Lewis is in the backseat so I get up and tap drag fingertips on her window like to a prisoner. She smiles briefly, and my heart responds in kind. Ralston is a good man and to Erica is mostly her "daddy," but her blood mama, Tesa, has recently married a man who can now also lay claim to Erica, but is not to be confused with Erica's actual father who is either dead, or in jail. Erica's seventh birthday is day after tomorrow.
Ralston gets a legititimate social security check, and, a disablility check, the combination of which is a recent thing, and for which he has shown me the paperwork and letters from said agencies. "Wow Mr. Ralston," I said to him after reading, "you're gonna be fat after these start coming." He nodded in appreciation of my literacy. So when he asks for twenty until Friday, "to get her some food," I don't hesitate, even though the twenty is kept company in my wallet by only a single one, and even though Van might see it as an opportunity to "touch" me while I'm acting generous.
Ralston starts telling me the all too familiar tale (Erica listening: it's her life afterall), of how Tesa doesn't really want to take responsiblility for Erica but has made an issue to the police of a certain party who has shown Erica kindness, and generosity, which are two traits many are suspicious of deep down in the hood. Van steps up to say that "Tesa don't really want the girl but she make it hard for people who try to help." I have met Tesa enough to like her. She is young, Erica's senior by only fifteen or sixteen years. She is Shelton's sister. I do not report any of this in hopes of leading you to simple judgements, but more, I guess, to show there is a rich humanity behind the stereotypes. There is a little girl with eyes that listen, seeing every word spoken.
It's His Coma
There is a theory that all these children around here don't really exist but are simply my alter egos manifested inside a coma dream.
I was lurking online climbing branches at the tree when Mandy came in and asked was there any chance I would drive Glynn fifteen blocks up Dumaine to where he stay on that one way Roosevelt with his Grandma, practically across the street from that American Can Company renovation. I was drinking a quart of ice cold budweiser, a quart because the Magnolia got its liquor license revoked and is only selling the residual stock from its sad and lonely looking nearly empty beer shelves to premium customers, lucky me. Freddy's wife imitated Schulz from Hogan's Heroes, "you know nothing," and I agreed wholeheartedly, saying, "that's very true, and I can prove it just by opening my mouth."
Mandy said she had already drunk a beer and a half and did not want to drive and I always encourage the good judgement of others. "Yeah, I'll take him," I said. Glynn had earlier driven his bike into the pole that supports the Magnolia sign at the corner of Dumaine and Broad and given himself--I am not a doctor making 200k a year--a mild concussion.
As I was driving up Orleans, instead of Dumaine, it occurred to me that all the children that are making up the alter egos inhabiting my coma dream, and who used to live either exactly in the 2600 block of Dumaine, or pretty close, now live scattered to the wind, but still find their way to this block almost every day.
Hunter snuck up on me at the Rocheblave job today (I paid him six dollars an hour to help me one day last week so he could go to the SuperFair at the Dome), and he said he just wanted to see what I was doing. I told him, "nothing really," and asked him did he come to work. He said he was on his way home. I thought he still lived around the corner from 2600 Dumaine, on Dorgenois, but no, he living with his grandmother on Bienville and Roman. I admitted I did not know that, and offered him work on Tuesday.
And Lance, who is here everyday, lives way out in the east with Sandra, the nurse his dad Billy had taken up with just before he got busted selling marijuana with that illegal weapon. Lance has brothers living lives elsewhere and one of them was murdered in New Mexico this past week.
Heather (and big sister, Kizzy, with children Raticia, Shadrica, and little Corey, and mom Barbara), lives on Iberville, near Galvez, not too far from the Rocheblave house.
Fermin, and his sister Julia (15 and pregnant), live with mom Evelyn on Touro, several blocks on the river side of Claiborne, a good distance from 2600 Dumaine. Michael Harris lives near there too.
Jacque, Nettie, Tiesha, Roshona, and mom Ramona Lewis still live on Rocheblave, at Orleans, in the Lafitte Projects.
Bryan Henry still lives across the street, and his cousin Irving visits occasionally.
After Mama D died many stopped coming to Dumaine. For instance, I haven't seen Shentrell in almost a year.
Kojak (Clifford Lewis), out of lockup, was playing dominoes on the porch recently, but I haven't seen Clifford Junior in a good while.
Erica Lewis I don't see very often but I think Ba(y) Ba(y) and Lulu are taking good care of her over on Claiborne, near Frenchman. Lulu (17-18) is pregnant.
And as I may have mentioned before, Shelton Ray Jackson is living inside this house, and we are recently trying to be nice to each other.
My new Rocheblave neighbors across the street are a woman named Mebo? and her husband, nice people, she's a sculpter, and I'm not sure yet what he does, but she was offering I don't know what today, condolences? about my break-ins, and I was speaking unguarded, big mistake, and she was offering me advice (all good, and all things I have considered), but I felt this childish competiveness and kept saying things like, "I know what's up," and "Dumaine and Broad make this block look like a daycare center," and she was thinking "what an asshole," who can blame her, but the thing is she kept irritating me with placations to my condemnations, saying things that were supposed to make me pause and consider the hardships of my fellow men, like--"everyone's got a story," and me wanting to grab this cloistered artist living behind the locked iron gates and theories of her urban domicile and scream, "no fucking shit?"
Pobrecito Jim
I can hardly finish a beer (or two), these days without nodding towards deepest stupor; cheaper than dilaudid but not quite as fine.
Pobrecito Jim works all day as the house painter for the rich and famous and then comes home to work some more in a neighborhood that most would see as a ghetto, and in fact poor little Jim sees it that way too, but the New Orleans community has the rich and poor all swirled together so the ghettos of poverty, drug dealing, depravity, and violent death are surrounded by neighborhoods mere minutes away which offer all that is good and safe and clean and honest. So one is never stuck; one can always choose: have a blast, or a latte', poke a vein, or have a beignet.
After getting the permit to renovate and getting fully juiced with electricity the Rocheblave project has Jim working 13 hour days, seven days a week, in a subtropical climate that is so hot, ninety with a gentle breeze is considered very pleasant. Jim has to work such long days because he makes lots of mistakes and has to redo much of his work, but that's ok because Jim can't dance.
Jim has put in a front door but he still boards up over it because his crack-head consultant has told him the crack heads will steal it if he makes it too easy for them. Jim already knows this but it's good to have an experienced consultant nearby to remind him of the obvious truths. Jim is one day Candide and the next Pangloss, benefitting, it seems, little from either, so it is best when he accepts counsel.
And Jim has ripped up and replaced the bedroom and bathroom floors, and today got a good few of the burnt rafter ends scabbed in, braced, screwed and glued. Jim doesn't really know what he's doing but he convinces himself daily that he has the right stuff, and the deception is effective, and the work gets done.
Last night at 9 p.m. Jim was snoozing on top the covers in the dining room that is his bedroom and study, aware of the neighborhood children passing to and fro throughout the house as they are apt to do around here, and in and out of stupor Jim had that awareness of nothingness going on, which is his preferred state, when out of the dark he is kissed on the cheek by Erica Lewis, and eyes opening into hers he kisses her hand and falls back to nothing better than that.
A Dumaine Day4.23.99
It's no big secret me not being all that finely tuned so it didn't strike me
as unusual that my mom considered it a possibility that my phone call to her
on April 21st was blatantly coincidental instead of an intentional
commemoration of my father's death.
"Do you know what today is," she asked, and I answered in the affirmative.
She said, "I went to the cemetary this morning." And I asked, "so how is
he?" and she said, "he's fine, ornery as ever."
Conversation was somewhat stilted at first, with me never knowing exactly
which of life's informational tidbits are appropriate, and there was some
brief panic as Clifford Louis' depression era sensibilities about waste
(long distance phone calls and such) kicked in. But we pulled out of that
conversational nosedive beautifully and soon enough were talking the basics,
about Mrs. Arista (she never leaves the house), Mr. Walden (first year he
hasn't been able to mow his own lawn), Nephew Ben (hit a double, stole third,
and scored the winning run in highschool baseball game), my brother, Paul,
(and the plans to disinherit him), neighborhood children, and politics
(Clinton's just a man and she wishes people would stop talking about his sex
life). I told her I thought people were talking about other things now.
Right now is a perfect example of how it goes. One minute I'm sitting here
hogging the six hundred square feet of space that includes two rooms, a
foyer, and half the kitchen, and the next minute I'm sharing it with (almost)
two-year-old Clifford Lewis, (almost) six-year-old Erica Lewis, who seems
very much the grown up by comparison, and fourteen-year-old Lance Price who
is being tutored by Mandy in Algebra. Clifford the two-year-old gets kicked
out by Lance the serious student because he was batting a plastic bowling
ball across the wood floor with a badminton racket. A few minutes later
there is banging on the door, and feeling quite the permissive paternal
lord, I get up to answer it. Clifford blows by me, glancing off my knees as
he picks up the bowling ball first thing, and staggers about the room
deliriously, looking for the badminton racket. Fourteen-year-old KaKa
McCormick takes advantage of the open door to ask can she speak to Miss
Amanda. While she's here (getting a piece of fruit) she punishes Clifford
and throws him outside again.
And out on the street it can be just the same. Throughout an average day
there is little to distinguish this block from any other (blighted inner city
block). It is often quiet, with only the normal flow of extra foot traffic
that you would expect from having a corner store in the neighborhood. And
then a couple of guys show up with pit bulls.
I have been in and out of the house talking to my mom, going inside with the
passing of each loudly vibrating, rapping sedan. I'm standing in the foyer
with the door open when the one man just briefly looses his grip on the
leash, and we have instant fido on fido, and in a matter of seconds there are
twelve to fourteen people circling the dogs, cheering.
"What's that noise," Mrs. Louis wanted to know.
"Some fighting dogs, pit bulls, and people cheering," I said.
"Are they fighting?"
"It looked like they were going to but I think this is another false alarm."
"This goes on all the time?"
"I wouldn't say all the time, or even frequently, but this isn't the first
time I've looked out the window and seen such a thing. I'll shut the door."
"Oh, you don't have to. You don't have a lot of dull moments there, do you?"
"It does get dull here, but patience is always rewarded."
And then in a matter of ninety minutes the rooms are mine again and I feel
the faintest remorse as I suffer through the quiet, an empty nester, longing
for the company of a gangster's son, and the sound of a plastic bowling ball
bouncing on a wood floor.
The Cross 2
It may have been Big Arthur come looking, marching up and down Dumaine yesterday, asking "who know where it is 'lil Arthur got shot?" Now this was only ten or twelve hours after the shooting took place and six-year-old Erica Lewis, just visiting the neighborhood, offered--not quite within hearing distance of Big Arthur--"I know, it was 'roun that corner." Shelton Jackson, standing nearby, said, "shut your mouth, Erica."
I was reading the Metro section this morning while Shelton, Lance, and Hunter took baths and put on their new easter outfits. I had just started the article about the two shootings, was reading about the 18-year-old girl shot for her bicycle (Evelyn just stopped by, said there's more to that story), by some men in a Dodge truck with extended cab and tinted windows, over around 1900 N. Johnson, and Shelton walked by seeing the obits on the back page and said, "they got all the pictures in there?"
I assumed he was referring to the shooting that everyone was hinting at yesterday, which was likely the second shooting in the article I was reading, so I said, "no, that picture will come out later," and added, "hey did you hear about that girl who got killed for her bicycle?" He asked where and I told him, Seventh Ward, seven blocks on the other side of Esplanade. He offered a general lament for the sad state of things, which did not exactly fit him, and sounded somewhat scripted.
"They got the story 'bout Arthur in there?" Shelton asked, and I looked down the column, seeing Arthur Brown, 22, shot in the 2600 block of St. Philip (one block over from here). "He tried to jack a dude for his crack and the dude chased him down and unloaded his clip." And I read, and translate, "shot two times in the neck, four times in his legs." And I think if he emptied his clip then it was half empty (full?) to begin with, or, in fact, his weapon was a revolver. Either way, Arthur Brown is dead.
Shelton said, "he jacked Mike outa his money a while back."
"Michael?"
"No, not that Mike, and not Big Mike, another Mike."
"So he wasn't really a friend to anyone around here?"
"No, I wouldn't say he was," Shelton said.
Erica's Barricade8.24.97
Last night I found myself alone on the porch with three-year-old Erica
Lewis. She cuddled up to me and said,
"Ga-ga-go get me a puzzle Mr. Jim."
"You want a puzzle to play with by yourself while I sit out here next to
you but don't actually have to help you?"
She looks at me like I'm a damn fool and says, "Get me a puzzle."
"Which one do you want?," I say.
"Ma-ma-Mickey Mouse."
So I go in and get the puzzle. Erica is not sure this is the particular
Mickey Mouse puzzle she had in mind but it will have to do her expression
tells me, and then she begins breaking up the 12 or 13 interlocking pieces and
spreading them out on the porch.
Between August 95 and, December, when we actually moved in, I would come
over here after work and spend a few hours a night renovating the front
half of this house. Mandy would join me on the weekends. We had nothing
covering the front bay windows and were able to appreciate about a 140
degree view of the street.
Three boys, probably Glynn, Fermin, and Shelton, and one toddler,
definitely Erica, are playing in the parking lot behind Jack's store.
The game they are playing is smash 'em up derby and they are using the
bottom half of a grocery cart for a vehicle. Erica is sitting
comfortably and confidently in this vehicle and is being given
instructions by one of the boys. Erica would be just shy of her second
birthday. I will not be able to describe this accurately but the
intensity of her eye contact with this older boy as she listened to his
instructions struck me as something from another world. This tiny little
girl has the bearing of a full grown woman with years of worldly
experience. A manner almost flirtatious and calculating.
I was very much glued to the set (as we have come to think of these front windows),
for the few minutes it took to witness this episode. I guess what I'm
trying to say about this child Erica is that even when you witness
something you have never seen before, there is always a tiny thread of
something familiar. But in the case of two-year-old Erica Lewis I can
honestly say I have never seen anything even remotely similar to the
visions I was having of her on this day.
The boy who was giving Erica instructions now gets behind the cart and
begins to push her full speed towards a barricade of boxes, and milk
crates, and scrap lumber stacked precariously high. At the point of
impact the boy pushing the cart ducks his head and turns his body to the
side in a defensive posture. Erica, on the other hand, is looking
straight ahead, chin up, and as the debris cascades down around her, and
the boys are jumping up and down, laughing, and high fiving, Erica cocks
her head a few degrees to the right, smiling at, and challenging with
her bemused eyes, these goofy ten and eleven-year-old uncles who can't
build no better barricade than that.
"I knew you could do that by yourself Erica, on account of, you're so
smart, and pretty too, I don't mind saying."
"Ge-ge-get me another one Mr. Jim."
DONL 5
I was taking a little nap early Friday evening when I was awakened by the shadow and heat of Erica Lewis, who was in the flesh standing alongside my bed. "Hi Erica," I said, bonking her cool forehead with the open palm of my all purpose "be-healed" healing power.
Six-year-old Erica was living across the street prior to the death last September of Mama D. She was then shipped off, along with her fifteen-year-old Uncle Shelton, to South Central LA for awhile to live with her Aunt Stephanie. And then Erica and Shelton were brought back, Shelton to live with Mandy and (for the short term) I, and Erica was captured by the stable but slightly scary, Aunt Gwynn. And then I didn't see her for a long while, during which period her birth mom, Tesa, came back from her visit in California (following the arrest of her and Shelton's father, who was hiding in the Compton area to avoid a New Orleans arrest warrant). Tesa is very likeable and intelligent, but perhaps the definition of unstable. Still, she recaptured Erica, and now they live on Claiborne with Ba(y) Ba(y) and Glynn's (out of jail) mom, Nettie, and (out of jail) Aunt Yacqui, who used to spend nights smoking crack in the 55 Chevy pickup parked in front of this house four years ago.
With Erica it was love at first sight but somewhere in the middle of that last paragraph's reality there came an emotion that won't situate itself on the charts. It is a mixture of admiration, fear for her future, and a resigned but respectful hatred of those who would besmirch her race, her culture, her being.
Timmy has begun trimming the next house we will do at English Turn and since he is by himself he will come to the job we are all on and eat lunch with us. He starts with,
" When times got hard last year I had to do a little job in New Orleans, installing some cabinets, over on Roman, I don't know which projects I was near..."
"The Lafitte," I said. "That's where Mama D came from." And did not add that frequent guests in this house, Jacque Lewis, and sisters Antoinette, Tiesha, and Roshona Lewis still live in the Lafitte.
"Yeah, I think it was those. Anyway, the fuckin' niggers, I mean none of them have jobs, so they sleep late, you wouldn't see them in the morning, but the afternoon and those porch monkeys would be out in numbers. Even in the morning when I couldn't see them I would only unload the tools I could carry, then lock the truck, carry them up, come back, unlock the truck, get some more tools, lock the truck, and so on."
Apparently, Timmy feels the need to distance himself from the accusation made by his mother earlier in the week, that he and his wife arguing and fighting like they do, "are no better than niggers." And I think he's doing a really super job.