Schwarz
View current page
...more recent posts
lloyd kahn is previewing shelter publication's new book on independent builders of the pacific north west
life without buildings does death stars, bunkers and giant women
de madera y adobe - house in Arruda dos Vinhos Portugal
moving stairs at wtc
A 50-year-old pre-fab house designed by Jean Prouvé for French colonials in Africa is currently residing in the front garden of Tate Modern. The building, a sheet steel prototype, is one of only three built between 1949 and 1951. It was recovered from the Tropics, dismantled, restored to near mint condition and bought by American hotelier Andre Balazs. Shipped into London last month, it is about to be officially unveiled. Watch the video here to see it being built.
London-based architects Hawkins\Brown have added two new structures to a cluster of farm buildings at Wysing Arts Centre in Bourn, Cambridgeshire. The courtyard now includes an artists’ studio block and reception area alongside an existing converted storage barn and former cow sheds.
The main studio block at the front of the site provides nine studios over two floors. The alternating rhythm of the full-height glazing and timber louvres on the front elevation replicates the timber structure of the adjacent building, a 17-century farmhouse.
cali roadside photographer DS
wine bottle lampshades
truckspills
old town / hand made work wear from the uk
via archival clothing
modern design 901 is a design blog with special emphasis on george nelson clocks and clock designers irving harper and howard miller.
photo mosaic generator
After 100 years the painting of the Forth Rail bridge is to come to an end, depriving the English language of one its most treasured similes. With three coats of a special paint, similar to that used in the offshore oil industry, painting of the bridge is due to be completed in four years. The paint has an estimated life-span of 25 years, although it is hoped it will last closer to 40 years.
But what Network Rail, the owners of the Forth Bridge, stands to gain in productivity, the English language could lose a cherished aphorism.
According to the Cambridge International Dictionary of Idioms, if "repairing or improving something is like painting the Forth Bridge, it takes such a long time that by the time you have finished doing it, you have to start again".
cyclorama (cyc)
Curator Nader Vossoughian talks about the exhibition (filmmaker/interviewer: Henk Augustijn).via reference library
Watch this movie on YouTube.
Next chapter in the ‘After Neurath' project. around the Austrian philosopher, sociologist and economist Otto Neurath (1882-1945), who lived in The Hague from 1934 until 1940. The exhibition focuses on Otto Neurath's relationship with architecture and his influence on urban development. Especially his ideas about the democratization of public space and how to reconcile the intimacy and tangibility of the ancient polis with the anonymity and diversity of the global metropolis have been very influential to protagonists like Paul Otlet, Cornelis van Eesteren, Margarete Schütte-Lihotzky andLe Corbusier and resound in mainstream architectural and urban thinking of today.
The exhibition ‘The Global Polis' shows the innovative ideas about the modern metropolis of Neurath -and his famous protagonists- based on the social-democratic ideals of the interbellum. Neurath was especially eager to promote participatory forms of democratic exchange (a 'global polis'), and this exhibition shows his attempts in disciplines as varied as architecture, urbanism, graphic design and planning.
The exhibition is structured in three 'acts'.
The first act, 'The Communal City,' examines Neurath's role in Vienna's extraordinary 'self-help' cooperative settlement movement, which inspired tremendous optimism in architects and planners.
The second act, 'The World City', examines Neurath's efforts to internationalize mass education and social enlightenment through collaborations with Paul Otlet, Le Corbusier and others.
The third act, 'The Functional City', looks at his work with the Congrès Internationaux d'Architecture Moderne (CIAM) and the planner and architect Cornelis van Eesteren specifically. This section explores Neurath's struggles with the mass media and modernist architecture on the eve of the rise of fascism in Europe. It also raises deeper questions about the links between culture and politics today.