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As the sun rose over the site of the Sept. 11 attack, a crane hoisted the Subway restaurant up the signature skyscraper that marks the rebirth of the trade center's 16 acres. The shipping containers-turned-eatery will open in January and keep moving up as the tower is built to 105 floors.

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bread and puppet


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the merry pranksters


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GHP

via vz
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Willie Mitchell, 81, a celebrated trumpeter, arranger and producer for Hi Records who launched the careers of Al Green and other leading soul performers of the 1970s, died of cardiac arrest Jan. 5 at a hospital in Memphis.

In a career spanning six decades, Mr. Mitchell proved a hitmaker as a producer for singers such as Ann Peebles, Otis Clay, Syl Johnson and Denise LaSalle. He also worked with a wide range of rock performers including Rod Stewart and John Mayer

Mr. Mitchell first made an impression as an instrumentalist. His 10-piece rhythm and blues group signed with Hi Records in 1959 and recorded a string of successful soul instrumentals, including the funk groove "20-75" (1964) and a remake of King Curtis's ballad "Soul Serenade" (1968).
thx chuck
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Roberta Smith did this with Steven Parrino’s death notice as well–managed to convey her boredom and a faint whiff of disapproval in a forum where it’s not appropriate. I mean, the guy’s dead, he is now beyond the iron grip of the Times’ judgment. Grimes’ term “high modernist” is a better way to describe Noland–to me “formalist” carries the implication of pedantry. What’s more annoying about Smith using that word to describe him, though, is the “perhaps to his detriment” without any explanation. Detriment in Smith’s mind certainly. The ultimate detriment will be if later artists see nothing inspiring in his work, and that has proven not to be the case again and again during Smith’s tenure (everything from Neo Geo to Monique Prieto to Marc Handelman shows the influence of Noland’s school, even if it is ironic.)

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It is well known that Mary Anning is associated with the old tongue-twister, "She sells sea shells on the sea shore." [40] It was composed in 1908, more than a half century after her death, by Terry Sullivan who was inspired by her life story.[41] The original text was:

She sells seashells on the seashore
The shells she sells are seashells, I'm sure
So if she sells seashells on the seashore
Then I'm sure she sells seashore shells.


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