This last one is arty in that it "goes nowhere," that is, it's a series of interacting "instrument blocks"--organ, fretless bass, rhythm box--that create a kind of false music I find strangely listenable. Some might say that about all my music, i.e., that it's static, machinoid, whatever, but I wouldn't agree with that--I generally don't find any interest if there isn't a hook in there somewhere. One thing I don't do is artificial dynamics like altering the tempo track or quantizing notes. The energy (to the extent it gets across) comes from the arrangement of notes and changes in volume and texture, not trying to imitate human playing. Machines are human-made and controlled, I've never bought the criticism that electronic music is "soulless," but do think that some aspects of digital production are more contrived and phony than others.