"There are no drum-machines, only rhythm synthesizers programming new intensities from white noise, frequencies, waveforms, altering sampled drum sounds into unrecognizable pitches. The drum-machine has never sounded like drums because it isn't percussion: it's electronic current, synthetic percussion, syncussion. The sampler is at first termed an 'emulator,' as if it does nothing but imitate existing sounds. Calling the rhythm synthesizer a drum-machine is yet one more example of [r]earview hearing. Every time decelerated media writes about snares, hihats, kickdrums, it faithfully hears backwards. Electro [e.g., Mantronix, Cybotron, Kraftwerk, Drexciya] ignores this vain hope of emulating drums, and instead programs rhythms from electricity, rhythmatic intensities which are unrecognizable as drums. There are no snares--just waveforms being altered. There are no bass drums---just attack velocities."
Excerpt from More Brilliant than the Sun, 1998, by Kodwo Eshun.
I think Kodwo's enthusiasm is invaluable. He's a very good speaker, so good that I can't seem to get into reading him. I've had his book for a couple of years but still haven't managed to finish it. I'll take another crack at it.
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"There are no drum-machines, only rhythm synthesizers programming new intensities from white noise, frequencies, waveforms, altering sampled drum sounds into unrecognizable pitches. The drum-machine has never sounded like drums because it isn't percussion: it's electronic current, synthetic percussion, syncussion. The sampler is at first termed an 'emulator,' as if it does nothing but imitate existing sounds. Calling the rhythm synthesizer a drum-machine is yet one more example of [r]earview hearing. Every time decelerated media writes about snares, hihats, kickdrums, it faithfully hears backwards. Electro [e.g., Mantronix, Cybotron, Kraftwerk, Drexciya] ignores this vain hope of emulating drums, and instead programs rhythms from electricity, rhythmatic intensities which are unrecognizable as drums. There are no snares--just waveforms being altered. There are no bass drums---just attack velocities."
Excerpt from More Brilliant than the Sun, 1998, by Kodwo Eshun.
- Tom Moody 3-25-2001 6:10 am
I think Kodwo's enthusiasm is invaluable. He's a very good speaker, so good that I can't seem to get into reading him. I've had his book for a couple of years but still haven't managed to finish it. I'll take another crack at it.
- steve 3-25-2001 2:47 pm