the other one i downloaded to have a go with was "two note lead", can you see if you've got separated tracks for that one?? not worried tho...since you're recording so much stuff in live at once i'd be loathe for you to change your process in order to have separated audio tracks and i did ok withthe full mix of song 10 anyway.
instead of set theory you coudl also go catchier...like just stick to [1] harmonic minor scale. again this is club aesthetics ONLY, cos your melodies are holding a middle groud in the sense that they're usually too weird to be catchy in 2 bars, but not weird enough [in 2 bars] to make an audience think "wow thats fucked up". they work perfectly for listening when you've got time to sit back and watch everything unfold but they don't have the functional immediacy i can use on the danceflo'. thats why song10 worked it had lots of cool soundsand textures and good rhythms, but not much harmonic content to negotiate and i could put in a bassline without worrying.
and again, i beg of you, please please spit some lyrics too
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instead of set theory you coudl also go catchier...like just stick to [1] harmonic minor scale. again this is club aesthetics ONLY, cos your melodies are holding a middle groud in the sense that they're usually too weird to be catchy in 2 bars, but not weird enough [in 2 bars] to make an audience think "wow thats fucked up". they work perfectly for listening when you've got time to sit back and watch everything unfold but they don't have the functional immediacy i can use on the danceflo'. thats why song10 worked it had lots of cool soundsand textures and good rhythms, but not much harmonic content to negotiate and i could put in a bassline without worrying.
and again, i beg of you, please please spit some lyrics too
- p.d. 1-28-2007 4:05 am