GG_sm Lorna Mills and Sally McKay

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alchemy
Emblem XVII from Michael Maier,Atalanta fugiens (Oppenheim: Hieronymus Gallerus, J. Theodorus de Bry, 1618). Borrowed from Hyle

"The historians who make alchemy their particular interest are sometimes looked on as eccentrics: their methodology may be impeccable (I mean, good archival research, sound iconographic analyses), but their choice of subject matter makes them suspect. In that respect art historians who are interested in alchemy become one further example of the oil-and-water problem of mixing alchemy with any ‘legitimate’ discipline." - excerpt & illustration from James Elkins' Four Ways of Measuring the Distance Between Alchemy and Contemporary Art (2003)

- sally mckay 9-24-2007 10:49 pm [link] [9 comments]