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quotes1

Karen Barad, “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter,” in Signs: Journal of Women in Culture and Society, vol. 28, no. 3 (2003) p.801

Merlin Donald, “Imitation and Mimesis,” in Perspectives on Imitation, From Neuroscience to Social Science, Vol. 2, Susan Hurley and Nick Chater eds. (Cambridge: MIT Press, 2005) p. 291




quotes2
Gregory Bateson, Mind and Nature, 1979




quotes3

Karen Barad, “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter,” in Signs: Journal of Women in Culture and Society, vol. 28, no. 3 (2003) p.823

Donna Haraway, “Modest_Witness@Second_Millenium” in The Haraway Reader (London & New York: Routledge, 2004) p.246




quotes4

Bruno Latour, We Have Never Been Modern, translated by Catherine Porter (Cambridge, Mass.: Harvard University Press, 1993) p.18

Bruno Latour interview with Paul Kennedy, CBC Radio's Ideas: How to Think About Science,
Episode Five




quotes6

Rosalind Krauss, The Optical Unconscious, (Cambridge, MASS & London: The MIT Press, 1998, c.1993), p.124

Susan Buck-Morss, "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," in October, no. 62 (Fall 1992) p.12




quotes5B
Warren S. Brown, interview with Ginger Campbell, Brain Science Podcast #62




quotes7
Emma Borg, “If mirror neurons are the answer what was the question?,” in
Journal of Consciousness Studies, vol. 14, no. 8 (August 2007) p.8





quotes8B
Homi Bhabha, “Of Mimicry and Man: The Ambivalence of Colonial Discourse,” in October, Vol. 28, Discipleship: A Special Issue on Psychoanalysis, (Spring 1984) p.129




quotes9

Moxey, Keith, “Visual Studies and the Iconic Turn,” in Journal of Visual Culture, vol.7, no.2 (2008) p.131-32






quotes10

Steven Brown and Ellen Dissanayake, "The Arts are More than Aesthetics: Neuroaesthetics as Narrow Aesthetics" in Neuroaesthetics, Martin Skov and Oshin Vartanian, eds., (Amityville, New York: Baywood Publishing Company, Inc., 2009) p.54

Georges Didi-Huberman, Confronting Images: Questioning the Ends of a Certain History of Art, John Goodman, trans., (University Park, PA: The Pennsylvania State University Press, 2005), p.16




quotes11
Bill Nichols quoted by Omer Fast in In Memory: Omer Fast, Sabine Schaschl, ed., (Berlin: The Green Box, Kunst Editionen, 2009) p.149




quotes12
Marshall McLuhan, War and Peace In the Global Village, 1968, p.175




quotes13
Mary Midgley, Science and Poetry, (London & New York: Routledge,
2006) p.84





quotes14

E.H. Gombrich, Art and Illusion: A Study in the Psychology of Pictorial Representation, (Princeton and Oxford: Princeton University Press, ©1960, 1961, 1969) p.50




quotes15B

Jacques Rancière, The Emancipated Spectator, (London & Brooklyn: Verso, 2009) p.22

Stephen Jay Gould, The Mismeasure of Man, (New York & London: W.W. Norton & Co., 1996) p.36





quotes16B
Marcel Duchamp, quoted by Rosalind Krauss in The Optical Unconscious, (Cambridge, MASS & London: The MIT Press, 1998, c.1993)p.111




quotes17

Alva Noë, interviewed by Ginger Campbell, in Brain Science Podcast Episode 58

Gerald Edelman, Second Nature: Brain Science and Human Knowledge, (New Haven & London: Yale University Press, 2006) pg.21





quotes18

Anselm Franke, In Memory: Omer Fast, Sabine Schaschl, ed., (Berlin: The Green Box, Kunst Editionen, 2009) p.85

Bruno Latour, “What Is Iconoclash? Or Is There a World Beyond the Image Wars?” in 2002: Iconoclash. Beyond the Image Wars in Science, Religion and Art, Bruno Latour and Peter Weibel, eds.,: (MIT Press and ZKM Karlsruhe, Germany, 2002)






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