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Lorna Mills and Sally McKay
Digital Media Tree this blog's archive OVVLvverk Lorna Mills: Artworks / Persona Volare / contact Sally McKay: GIFS / cv and contact |
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Courtesy of Rob Cruickshank:
More info.
 more images of Paro Mrs. Hirakawa: "Paro answers and looks at me when I call it. Then I feel communication with Paro." Nattie: "We still feel horrible just remembering Shelby. When I came across Shelby later in a box, I literally felt sick with guilt, just leaving him in there. When my husband saw what I was holding, his face just drained and he let out a panicked, "FUCK!" and tried to leave the room, but I wouldn't let him. Instead, we just both stared uncomfortably for a moment." Sherry Turkle: "You can see seniors chatting with robots, telling their stories, and feel positive. Or you can see people speaking to chimeras, showering affection into thin air, and feel that something is amiss." ovvl: "...don't take away my seal-doll unless you crank up the soma on my feed. (And give me a cigarette)." |
Sunday - Long Black Veil
Johnny Cash and Joni Mitchell
Dave Matthews and Emmylou Harris
Mike Nesmith
(found)
I finally found my old slides from the 90s (in milk crate buried under other milk crates full of other things from a long time ago) and got some of them scanned. Aaaah, dusty-old-art nostalgia.
Bert and Ernie, 1996. Free Parking Gallery
Collection, 1998. Part of the exhibition A Living Dog is Better,
curated by Michelle Jacques for the Present Tense series, AGO
Make Me Pretty, 1998. Stickers in women's washroom at Ted's Collision, part of In Lieu curated by Eileen Sommerman
Safety Animal, collaboration with Ben Smith Lea, 1998. Street performance at "The Peanut," Don Mills
and the Donway, Toronto, part of the exhibition Offsite@Toronto, curated by Kym Pruesse for Mercer Union
Goodbye Planet, 1999. Window installation at Pages Bookstore