"But that is what tended to happen to concert hall sound during much of the 20th century, and that, too, reflected a changing aesthetic. The music of Modernism demanded a kind of sonic ruthlessness, a crispness and unforgiving clarity. Often, it took a polemical stance toward the mainstream audience as well. How could this not affect the sonic character of halls?"



- bill 5-22-2004 3:42 pm




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