Can a mass-produced object become like an artwork? Die Welt's Uta Baier considers the question by looking at the recent legal battle over Marcel Breuer's B9 table, first made in 1925-26. As Baier reports, two German firms—Tecta and Knoll International—asked a Dusseldorf court to decide which company has the right to reproduce the table for the contemporary market. B9 has become a cult object because it is the first piece of furniture that Breuer made with steel tubes. (After experimenting with Duralumin pipes, a material used in the ‘20s in Dessau for aircraft construction, the Bauhaus architect decided upon steel tubing because it was cheaper.)

"The table's cult status means that a mass product became an expensive piece of design, a work of art that has stories to tell, justifying its high price," writes Baier. For the courts, the only story that counts is the contract that gives a firm the right to reproduce a design. While Breuer himself signed the contract with Knoll International in 1968, Tecta earned the right to reproduce B9 from Berlin's Bauhaus archive, which cooperated with Breuer's widow. As Baier notes, a lower court has decided in favor of Knoll because the company's contract is older. A higher court will decide the case on January 24.