By day, Brady is a trainee in the big corporate architectural firm Sheppard Robson, learning the nitty-gritty of planning applications and drainpipe detailing. By night he’s the artist. He’d like the two worlds to merge, though.
He is, he says firmly, an architect not an artist, though he’s perfectly happy for Saatchi to package him as the latter (interestingly there’s no mention that Brady is an architect in the gallery’s accompanying texts). The endgame, though, has always been a full-scale architectural story.
"Saatchi One-off Museum"?
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He is, he says firmly, an architect not an artist, though he’s perfectly happy for Saatchi to package him as the latter (interestingly there’s no mention that Brady is an architect in the gallery’s accompanying texts). The endgame, though, has always been a full-scale architectural story.
"Saatchi One-off Museum"?
- tom moody 4-20-2004 8:04 pm