Hard to say anything from a jpeg, but the long white lines on the topmost layer don't look his hand to me--they're slack and meandering, and too conspicuous, not "allover" enough. Usually anything that didn't look "on" got covered by other paint in his work.
The fact that Horton's represented by a known LA art world snake, who did prison time, taints the affair big time.
The director says it's about class in America--I'd say it's a tabula rasa that makes it about whatever you want it to be about.
It's also another way to make the art world and its denizens look silly to a public eager to prove that "Modern art is a fraud."
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The fact that Horton's represented by a known LA art world snake, who did prison time, taints the affair big time.
The director says it's about class in America--I'd say it's a tabula rasa that makes it about whatever you want it to be about.
It's also another way to make the art world and its denizens look silly to a public eager to prove that "Modern art is a fraud."
- tom moody 11-17-2006 7:47 pm