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The definition of art is not something that anyone would lightly undertake. Nor would it normally be left to a US customs official to decide. But that is exactly what happened in October 1926 when Marcel Duchamp arrived on the New York dockside accompanying 20 modernist masterpieces from Brancusi's studio that were destined for selling exhibitions in New York and Chicago. Duchamp at that time had given up art in favour of chess, and was trying to eke out a living by art-dealing with his friend Henri-Pierre Roché, mainly in Brancusi.
The point was that ordinary merchandise was subject to duty at 40 per cent, while art was not. And the customs official on duty at the time happened to be an amateur sculptor – just the sort of person to have bumptiously confident views about matters aesthetic. He took one look at the Brancusis, concluded that they weren't art, and levied $4,000 duty.
Two months after Hurricane Katrina displaced more than 1 million people, problems with federal housing aid threaten to spawn a new wave of homelessness.
In Texas, thousands of evacuees who found shelter in apartments face eviction threats because rents are going unpaid.
In Louisiana, some evacuees are beginning to show up in homeless shelters because they haven't received federal aid or don't know how to get it.
Advocates for the poor say the situation will worsen this winter.
“They are the poorest folks … and they are the ones who are going to be left with nothing,” says Sheila Crowley, president of the National Low Income Housing Coalition. “It's going to show up at homeless shelters this winter.”
The housing crunch could get tighter in November, because the Federal Emergency Management Agency (FEMA) wants to move an estimated 200,000 Katrina evacuees out of hotels as soon as possible.
That increases the need for apartments, trailers and mobile homes.
Pressure is building on FEMA to alter its policies. Two programs provide rent money directly to evacuees or reimburse local governments. But many evacuees have not received the cash or have used it for other needs. And some cities refuse to spend their own money up front.
It was 1895. Wright, twenty-eight, had only recently set up his own practice, after being fired by Louis Sullivan for taking on outside commissions on the sly. [Marion] Mahony, herself, had recently been dismissed from the employ of her cousin, Chicago architect Dwight Perkins, during an economic downturn.
It can be argued that it was Mahony's distinctive renderings that created the public face that helped Wright's work command attention throughout the world. It could be speculated that Wright's work, itself, was influenced by Mahony's role in the spirited exchanges of ideas that went on in his studio, yet she is one a series of pioneering women architects and designers who have disappeared into the deep shadow of their male associates - Lill Reich in that of Mies van der Rohe, Aino Aalto in that of Alvar Aalto, and Mahony, in that of both Wright and her husband Walter Burley Griffin. Observes Jeanne Gang, part of a very different and more indelible generation of women architects, “They seem to get erased.”
rip e stewart williams desert modernist
Streaking at sporting events is generally thought to have begun in 1974, when a 25- year-old Australian accountant named Michael O'Brien ran naked onto the pitch at Twickenham Stadium in London during a soccer match between France and England. That event was being televised live, but it was perhaps a still image in the papers of an English bobby covering Mr. O'Brien's private parts that is most remembered.
43-man squamish
1st sunday nov 05 jcnj
The Architects Collaborative (TAC)