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It is thus desirable to demonstrate, by a slight alteration of the usual procedures, that everyday life is right here. These words are being communicated by way of a tape recorder, not, of course, in order to illustrate the integration of technology into this everyday life on the margin of the technological world, but in order to seize the simplest opportunity to break with the appearance of pseudo-collaboration, of artificial dialogue, established between the lecturer "in person" and his spectator. This slight discomforting break with accustomed routine could serve to bring directly into the field of questioning of every day life (a questioning otherwise completely abstract) the conference itself, as well as any number of other forms of using time or objects, forms that are considered "normal" and not even noticed, and which ultimately condition us. With such a detail, as with everyday life as a whole, alteration is always the necessary and sufficient condition for experimentally bringing into clear view the object of our study, which would otherwise remain uncertain -- an object which is itself less to be studied than to be altered.
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"Modernism has been popularly depicted as something that really is not very popular," Sies says, "that is very cold, that is alienating and that sort of insists on a kind of design purity that makes it not necessarily amenable to human habitation."
Many of the notable Modern structures built in the Baltimore-Washington corridor are more "down to earth," she says. Custom and tract homes built in some parts of the suburbs were sited and designed to fit into the landscape, and used lots of wood and stone in addition to glass to establish visual connections with the surrounding environment.
"We really use the term 'baby boom Modernism' to summarize the kind of houses and churches and office buildings and shopping centers that went up in post-World War II suburbs," Sies says. "Architects told us that is where the money was, where people were moving."
While some notable Modern structures in the state have been recognized, including Frank Lloyd Wright homes in Baltimore and Bethesda and a Neutra building at St. John's College in Annapolis, the University of Maryland professors' survey highlighted lesser-known sites such as Baltimore's Highfield House condo building, designed by Mies van der Rohe; Goucher College's Towson campus; and several synagogues and churches in the suburbs.
Some exceptional Modern buildings have undergone alterations over the years, Sies says, but few in the state are as important as the Comsat building. She says it is one of the most significant early works by Pelli, an Argentina native who designed Ronald Reagan Washington National Airport as well as some of the world's tallest buildings. His structures often feature curves and metal, and the Comsat building "sort of telegraphed his style," she says.