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comuting from fireisland to manhattan year round


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free solar


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WITH the wind riffling the marsh grasses, Russell Groves borrowed an aluminum ladder from the construction crew working next door and climbed up on the roof of the tiny white house to survey the icy bay beyond.

The house is for sale for only $299,000, a rare case in which someone in search of a modestly priced house on the South Fork of Long Island can buy a lot extending into the marshland without anything — or anybody — blocking the view.

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it generates. it internets. it cools and refreshes.

This has something for everyone. For the prefab fans, it folds out of a shipping container. For the alt energy types, it has a thousand square feet of photovoltaics and can pump out 16 KW without the optional turbine. For the computer nerds, it has a communications control center with "full range of wireless VSAT, VOIP and wireless communications capable of handling thousands of phone calls and offering wireless connectivity for a range of up to 30 miles." When shipped for disaster relief, it uses the electricity to filter 30 gallons per minute of contaminated ground water to WHO standards for drinking.
hat tip to justin. thanks!
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The Gordon Matta-Clark retrospective at the Whitney Museum of American Art should be required viewing for any architect born in the age of the computer screen. Few artists could match his ability to extract raw beauty from the dark, decrepit corners of a crumbling city. Fewer still haunt the architectural imagination with such force.

A trained architect and the son of the Surrealist artist Roberto Matta, Matta-Clark occupied the uneasy territory between the two professions when architecture was searching for a way out of its late Modernist doldrums. His best-known works of the ’70s, including abandoned warehouses and empty suburban houses that he carved up with a power saw, offered potent commentary on both the decay of the American city and the growing sense that the American dream was evaporating. The fleeting and temporal nature of that work — many projects were demolished weeks after completion — only added to his cult status after an early death in 1978, from cancer, at 35.

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