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In his new book, Last Harvest: How a Cornfield Became New Daleville, Witold Rybczynski follows the design, construction, and marketing of a new residential subdivision over the course of several years. In the process, he explains how modern homes and communities are built. In today's excerpt, the first of three, Rybczynski examines why we live in houses. Tomorrow's excerpt explains how Americans fell in and out of love with the ranch house. Wednesday's slide show follows the evolution of New Daleville step-by-step, from cornfield to subdivision.
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Frank Gehry's first New York City building is a minor mood piece, not the sort of rhapsodic extravaganza his adorers are used to. At one time, he had hoped to debut with a bent-metal Guggenheim Museum on the East River; he still plans to stage a full-scale invasion of Brooklyn with an all-Gehry district at Atlantic Yards. Meanwhile, there is this milky hulk on the Hudson, the headquarters of Barry Diller's Internet empire, IAC.

The building reaches its apex of glamour in wretched weather. Fog and snow haze its edges and bleach its white skin whiter, so that it seems to be constantly evanescing and rematerializing. On such dim days, the ceiling lights inside make the building fluoresce.

I wish it could always give that impression of indeterminacy. During construction, drivers along West Street saw drunken columns rising aslant from wavy concrete floors. When the white glass went on, some took it for a temporary protective film. Surely, they thought, it's not always going to look that way?

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rago modern furniture auction

saturday and sunday items in catalog - lambertville nj (just accross the delaware river from newhope pa


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