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BRAZIL, THE TROPICALIST REVOLUTION
kodiak steel home / fire, tornado and earthquake proof
gene windfield's wild cad paint job
Blade's '72 t-bird
poets on the peaks / look-out cabins (see gallery)
casa do penedo / portugal
$300.00 house competition
record houses / swimsuit issue
315 goat hill rd lambertville modern
new digital fonts from rare letterpress wood type
5 cd box box bristol sessions
which is greener: hemp vs cotton? spoiler: hemp.
Foreclosed Neutra in Beverly Hills Being Sold as a Teardown
the wrecking crew movie
In fact, she was so much focused on being forward-looking that I think there’s a way in which she didn’t sort of take care of or shape her image. She said the worst thing that ever happened to her was the photograph of ‘The Irascibles’ in Life magazine in 1951 [below right], but I think if it hadn’t been for that photograph, nobody would know who she is! I think Hedda felt that it hurt because the associations she thought were false. She didn’t consider herself an abstract artist. She thought basically she was discovering America and drawing America as she saw it. She didn’t think she was an expressionist, she thought she was an anti-emotive artist. She also felt like the men were peeved at her because they thought her presence, a woman’s presence took away from the seriousness of their mission.
From left, works from 1989: “The United States Courts Are Partial to the Government,” “No Mandatory Patriotism” (center) and “The United States Government Destroys Art.”
robert j coady,
man of the soil.