Regarding the '90s pieces I just posted, Paul asks if x-eleven, the old school Dallas techno outfit that recently put its entire catalog up on the Net, got me inspired to go through my older work. The answer is not directly, I usually put up older things when I stumble across them looking for something else and they jibe with whatever I'm thinking about now, or possibly because they have nothing to do with that. I consider any painted pieces to be hopelessly retrograde and superseded and if I post them it's because I'm, well, let's just say proud of them for the time I made them.
A show recently opened in Brooklyn called "Decipher: Hand Painted Digital" that my work was considered for and...I don't know if rejected is the right word because the curator said all the artists had to live or have studios in Brooklyn. Oy. He added that subheading "hand painted digital" after the time of our discussions and I gotta say it's a bit unfair to the artists in the show who abandoned the security blanket of paint to paint in a new medium. Many of the included painters do use the computer in one or more steps of their work--to generate imagery, photo-process, possibly check out color combinations, I don't know--but there's nothing particularly "cyber" on the face of it. At its worst, "hand painted digital" suggests a painter trying to stay current or "hep" by painting digital, or digital-looking imagery, in his or her old style.
Back to x-eleven: I consider it to be J. S. Bach, not a period piece, though some of the technology and much of the motivation (make cool music for a rave, expand minds, get out of Arlington, TX) no longer exists per se. I'm just amazed by how complex and intense it is, and I suppose I mentally subtract out anything cheesy or dated. I do that with a lot of prog rock as well.