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Bruce Sterling, on his blog, steers us towards Ishkur's Guide to Electronic Dance Music, which definitely merits a moment or two of your time. It's a handy manual to all the different electronic dance genres, where you can hear samples and go "Ah, that's what Nu Style Gabber sounds like!" On the other hand, it's a novel and fairly persuasive form of criticism. Ishkur makes no bones that this is his take, and by combining a flowchart taxonomy with written argument and clickable soundbites, he's made a formidable first draft of pop music history.
I like the way he includes Dub as a forerunner of House (along with Disco); that's a little less America-centric than the usual version, which has NY djs moving to Chicago and reinventing disco with more electronics. (Curiously, Hiphop is treated as sui generis--under "Breakbeat"--when it also had a strong Caribbean influence, e.g., DJ Kool Herc.) He gives Techno short shrift, though, treating it as a genre for boring purists when it in fact has interpenetrated and informed almost all the other styles. It's interesting the way he divides early 90s breakbeat rave techno into Rave, which becomes the progenitor of Hardcore, and Breakcore, which spins off Jungle and Drum & Bass, but mysteriously, Rave never intersects with the "Techno" timeline and Breakcore never intersects with the "Breakbeat" timeline.* Also, I'm not sure I understand the distinction he makes between two 80s styles: EBM (Electronic Body Music, posited as a forerunner of Goa Trance) and New Beat (a Hardcore antecedent). When I hear both I just say "Belgian."
One style new to me is Speedbass, which sounds like a cross between Noizecore and what Ishkur's calling Experimental Jungle (AKA Drill'n'Bass). It seems very DIY and upload-oriented (see website at www.speedbass.net), and while it's a bit more chaotic than my usual around-the-house fare, it's hard to resist anything with repeated samples of whips cracking and Hollywood extras crying out in fake pain, for example, DJ Tendraw and the Gypsies Dog's "Vocal Tripe (I'm Gonna Hurt You Mix)."
*If I was going to collect a genre in depth (meaning spending a fortune tracking down 12-year-old vinyl and dubplates) it would probably be the one Ishkur calls Breakcore. The energy and sheer creative nuttiness of that particular musical moment has never been duplicated.