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Lorna Mills and Sally McKay
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Big Culture Sunday
This weekend Von Bark and I tried to see the Robotic Chair doing its thing in a Roots store, but the darn Luminato festival website (Toronto's latest civic arts extravaganza) neglected to list the special Sunday times, and we showed up at exactly the wrong hour. Instead we went to the Royal Ontario Museum and walked around inside the underwhelming Libeskind crystal. The light is nice and so are the angles, but the ceilings are kinda low and all the walls are slanty. I dunno how they're going to mount any successful displays in there. But I still love the ROM, they didn't mess with the grand old staircase and the massive totem poles. We lost ourselves wandering in the old section of the museum, looking at the Acropolis diorama and the big Bodhisattva sculptures. After that I continued on downtown to catch a bit of the end of Luminato. Max Streicher's big horses floating over Union Station were great: apocalypse meets Alex Colville (Colville horse& train painting posted below). I forgot my camera, but there's good Flickr pictures here. R.M. Vaughan's Globe and Mail review of Luminato is here. I have to agree with his dismissal of the big black balls at BCE place, although one of them was deflating like a great big testicle, which added a humorous, though unintentional frisson. I didn't get to see Rafael Lozano-Hemmer’s piece. I wish I did because many people beside R.M. were not impressed, but R.L.H. is one of my favourites and I wish I'd seen it for myself.
Update: Timothy Comeau's excellent review of Luminato is here. [via Simpleposie]
