GG_sm Lorna Mills and Sally McKay

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- L.M. 11-30-2010 5:11 am [link] [10 comments]




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- L.M. 11-29-2010 5:04 am [link] [add a comment]




Sunday - Ian Thomas


Come the Son


Mother Earth


Strange Brew

- L.M. 11-28-2010 5:08 am [link] [6 comments]






bird scare2 sm.GIF




- L.M. 11-26-2010 12:47 pm [link] [2 comments]




email from Joe McKay

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- L.M. 11-25-2010 2:53 pm [link] [2 comments]




red dead

tombraider

portal

Every week I listen to the Drunk Tank podcast out of Austin Texas. Sometimes I go back and listen to early shows over again. These are the machinima guys (and one gal, Griffin) who make Red Vs. Blue, Achievement Hunter and a bunch of other online content under the company name of Rooster Teeth. On the podcast they talk about video games, gadgets, movie, current events, their personal lives and basically just sit around and shoot the shit. They're smart, witty people and the shows are insightful. In the latest episode (Drunk Tank #88) they take on the massive scandal that erupted online when Roger Ebert said that video games aren't art. In case you missed all the fuss, one of Ebert's lengthy blog posts on the topic is here (with 4,774 comments), and there's a big long thread on metafilter here. I like the drunk tank conversation because it's thoughtful, concise, funny and sums up the whole thing very nicely.

Monty: Geoff, I have a metaphor for you.

Geoff: A metaphor for me. Okay, what is it?

Monty: Do you remember when we were first playing Halo Reach and you were, like, "how can games not be art?" Right? Cause they had like those cool sculptures and stuff?

Geoff: I do remember that.

Monty: Right, and I remember that you guys were really surprised when you heard that, what's his name, Roger Ebert, would say games are not art. Cause he's a smart guy, right?

Geoff: Sure. I wouldn't say surprised, just disappointed.

Monty: Right, right. I'd say the metaphor for that would be: you can hang the Mona Lisa in a strip club, but that doesn't change the fact that you're standing in a strip club.

Geoff: It doesn't change the fact that it's still the Mona Lisa though.

Monty: Right, but the Mona Lisa is art, but what you do in a strip club isn't art.

Geoff: Uh, maybe not to you, but to some of us it is absolutely art.

Gus: Yeah, that's questionable at best.

Griffin: But I think that you have something there. I think that what you're saying is that context is how we interpret things. And its true. Like, there's a lot of art, like, in that place...Geoff, where did we go?

Geoff: Strip club.

Griffin: No in London.

Monty: I heard in Texas there's a lot of good strip clubs.

Geoff: British strip club, yeah.

Griffin: Okay, no, no, no. Please just answer my question. The museum we went to.

Geoff: Oh. The Tate Modern.

Griffin: Tate Modern. There was a lot of stuff in there that really does not seem that great, or that took a lot of skill to do, or I dunno, just isn't that awesome. But you put it in a giant awesome museum, and you frame it right, and it's great. And it's art and it's considered art because you're there, looking at art.

Geoff: Well art doesn't have to be difficult, right? There's beauty and simplicity and it's all about the expression and the statement.

Griffin: But also presentation.

Geoff: Presentation plays a lot into it.

Monty: Back to gaming, right, a game isn't defined by what's contained, its defined by what you do with it. So I think maybe the argument against gaming and art is that you could put as much art as you want into it but that doesn't make the game itself art.

Geoff: You could make the exact same argument about strippers, it's what you do with them.

(all laugh)

Gus: It's how you work what you got, is how we're getting down.

Monty: All right, that's enough from me.

Gus: I've never understood why people get so impassioned about what Roger Ebert said about gaming not being art. You know, what does it matter? It's not his medium.

Geoff: I think the problem is that he's such a liked and respected and insightful and smart dude that pretty much everybody, if you know who Roger Ebert is, you like him. And not just in the realm of movies, but he's poltically smart, and socially smart and if you follow him on Twitter and read his blogs the guy's a really interesting dude. So it's just disappointing to see somebody who you respect on that level be so dismissive of something that's so important to so many people. But you know, fuck it. Who cares?

Gus: Yeah people get so impassioned about it and always want to talk about it, and it's like yeah, we talked about it...I mean how long ago did he say that, four or five years ago?

Geoff: Uh, it's been awhile. And then he reiterated it...but yeah, who cares. Just play your fucking video games and have fun.

Gus: Play games...if you know it's art, it's art. It's all about what it is to you. That's what art is, right? It's all about how you interpret it. So...not a big deal....If you think it's art you can make it art! You have the magic in your hands...in your eyes!

Geoff: (laughs) The power-up is in you!

(all laugh)

Gus: All right. That's enough of that.


- sally mckay 11-24-2010 1:42 pm [link] [17 comments]




GIFS

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- L.M. 11-23-2010 4:08 pm [link] [4 comments]




simple posie book photo

simple posie book

For everyone who's ever thought of turning their blog into a book, Jennifer McMackon of Simpleposie sets the bar pretty high. Simpleposie: essays and pictures is a well-structured, well-edited little pocket tome, with a mixture of selections from the blog, newly commissioned essays by some of her regular contributors and lots of art images. The contributors are Cedric Caspesyan, Megan Morgan, Jamie Tolagson, Lisa Neighbour, Will Murray, Gabrielle Moser, Carlo Cesta, David Kramer, Lee Goreas, Andrew James Paterson, Christoper Brayshaw, and Jennifer. There is also a recalcitrant, cranky interview with me and Lorna in which we do our utmost not to talk about a crisis in art criticism (and fail, thank's to J.'s characteristic persistence).

Usually when people talk to me about the tactility of print I get a bit eye-rolly. But this book transcends the blog/print dichotomy. Rather than trying to archive or fix the blog activity to the page, Jennifer's book functions like a humble souvenir, an oblique reminder of years worth of fleeting dialogue that has passed by in online-time. But it is also a solid publication, and (me and Lorna's interview notwithstanding) has some very relevant, well researched, well thought-out and well-edited writing that compliments rather than replaces the more slap-dash kind of communication that happens online. Of course, the discourse over at Simpleposie is always pretty top-notch, thanks to Jennifer's rigorous moderation, but this book is evidence that her blog skills are commensurate with her skills as an editor/publisher.

You can buy the book on the blog (scroll down, on the left).

- sally mckay 11-22-2010 2:10 pm [link] [add a comment]


Procol Harum:

"The name has been said to be Latin for "beyond these things", but the correct Latin translation of "beyond these things" is Procul His. Alternatively, the name has been translated as "of these far off things" (harum is in the feminine, genitive, plural). However, procul would not be followed by a genitive in Latin. The name of the band is frequently misspelt; often with Procul, Harem, both, or other variations."

Shine on Brightly



TV Caesar
: "this is bogus...not a real procol 73 video...just someones shitty random vid footage on super8 film..."



Fires (Which Burnt Brightly)



- VB 11-21-2010 4:57 pm [link] [3 comments]




free radicals
tcfs logo tinyLibby Hague's free radicals project for the Art & Science Exhibition currently showing at Harbourfront involves a series of puppet shows by various performers that Libby is taping and editing for Youtube. Come by this weekend and witness Anna Jane McIntyre's The Windbag & the Beginning in the making.

ANNA JANE MCINTYRE
The Windbag & the Beginning
open rehearsal: Saturday Nov. 20th
taping performance: Sunday Nov. 21. at 2:02 pm
(and possibly other times as well)

Harbourfront Centre
235 Queens Quay West, Toronto

- sally mckay 11-19-2010 1:27 pm [link] [1 ref] [add a comment]




WINNER. SOBEY AWARD. WINNER.

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DANIEL BARROW

(If it was anyone else I wouldn't have given a flying fuck about this news)


- L.M. 11-19-2010 12:26 am [link] [44 refs] [6 comments]




Mail from Julie Voyce:

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- L.M. 11-18-2010 4:50 am [link] [1 comment]




“Captured in 3D Blob” [a blob of porn] from v5mt (via today and tomorrow)

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- L.M. 11-17-2010 4:30 am [link] [add a comment]




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- L.M. 11-16-2010 4:24 am [link] [9 comments]




A belated Nuit Blanche gif...

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Kim Adams' show at Diaz is worth seeing before it closes on Nov. 20th.
There are some very darling little perforated vans.

- sally mckay 11-15-2010 3:27 pm [link] [1 comment]




Sunday - Nick Lowe, Dave Edmunds & Rockpile


So it Goes


Girls Talk


Cruel to be Kind

- L.M. 11-14-2010 1:36 pm [link] [2 comments]




Tonight!!!!!! Harbourfront!!!!!!
Make Fun of the Nerds.

- L.M. 11-12-2010 3:15 pm [link] [add a comment]




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- L.M. 11-11-2010 5:02 am [link] [3 comments]




Andrew Wright, aw.gif known for having an opinion or two, is now posting from Ottawa for Akimblog

- L.M. 11-10-2010 4:19 pm [link] [add a comment]




Nice interview with our beloved Beth Stuart.

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(Sally wants to get her in for an MRI)

- L.M. 11-09-2010 1:38 pm [link] [add a comment]




Kate Wilson - Curious Lights (In Situ Animation Project)



- L.M. 11-08-2010 12:30 pm [link] [1 comment]




Sunday - Cab Calloway


Minnie the Moocher


Jumpin' Jive w/ The Nicholas Brothers


St James Infirmary


- L.M. 11-07-2010 4:29 am [link] [5 comments]




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- L.M. 11-06-2010 4:27 am [link] [10 comments]




Wow. fMRI science is full of intrigue. Last year Edward Vul, et. al opened up a bag of worms when they published a paper called "Puzzlingly High Correlations in fMRI Studies of Emotion, Personality, and Social Cognition." It was originally titled "Voodoo Correlations in Social Neuroscience," which is more in keeping with the tone of the paper. They had noticed that a whole rash of fMRI studies on emotion, personality, and social cognition — all hot topics that tend to get lots of attention in the popular press — had both astoundingly high numbers and slight methodology sections. So they undertook to try and figure out how those numbers were being arrived at. Their claim is that many of the studies used a kind of circular inference that was skewing the data. Ed Vul's website is great. He's posted the original paper, plus a whole pile of critical response and follow-up research here.


- sally mckay 11-05-2010 2:23 pm [link] [add a comment]


Links for the participants in the Art & Science Exhibition:
Libby Hague
Doug Jarvis
Gareth Lichty
Abigale Miller
Elissa Ross & Patrick Ingram
Allison Rowe


Also, click here for documentation of all the projects from the Art & Science Fair we held in May featuring Abigale Miller, Alexander Moyle, Allison Rowe, Ariana Andrei and Reagan Brown, Arthur Konok, Brian White, Bridget Moser, Chris Bennett, Doug Jarvis, Elissa Ross and Patrick Ingram, Emily Comeau, Emily Cook, Erika James, Erika Lincoln, Gareth Lichty, Gene Mastrangeli, Heather Carey, Students and teacher of The Student School, Iris Hea-Won Cho, Jesse Robertson, Ken Leung, Laura Paolini, Lauren Hall and Ed Barsalou, Libby Hague, Linda Fitz, Lisa Smolkin, Mari Tsylke, Martin Reis, Michael Enzbrunner and Allison McCall, Miki Rubin, Niki D’Amore and Emilie Dionne, Patrick Beh, Reynaldo Padua, Ryan Thorne, Sarah Peebles, Susan Bustos, Tagny Duff, and Willy Le Maitre.

- sally mckay 11-04-2010 3:41 pm [link] [add a comment]


Join us! Too Cool For School Art & Science Exhibition
A Fresh Ground new works Project

November 13, 2010 - January 2, 2011
Opening Friday, November 12, 6-10 pm

Harbourfront Centre
235 Queens Quay West, Toronto


Featuring: Libby Hague, Doug Jarvis, Gareth Lichty, Abigale Miller, Elissa Ross & Patrick Ingram, and Allison Rowe (curated by Patrick Macaulay and Sally McKay)


tcfs

Art & Science Exhibition
An exhibition of installations that engage visitors in unique explorations into the intersections of art and science.

Contemporary art and science are both disciplines that sometimes seem unapproachable from the outside. And yet there is a little bit of art and science woven into many aspects of daily life. This playful, interdisciplinary show attempts to break down these boundaries and spark new forms of dialogue for the exhibitors and gallery visitors alike.

The practice of art and the practice of science have many things in common —careful observation, knowledge-sharing, and the processes of perception and understanding are common themes throughout this exhibition. The particpants come from diverse backgrounds — art, science and mathematics. They engage in hybrid combinations of open-minded exploration, a sense of play and rigorous design. Like scientific experiment, art offers a material process through which to learn about the world. Each of these participants has created a unique experiment. The results may be more qualitative than quantitative, but every project has its own specific method. The interpretation of these art & science findings is up to the viewer.

For more information, visit us at www.artandsciencefair.ca


hbrfnt

Too Cool For School is part of Fresh Ground new works, Harbourfront Centre's national commissioning programme. The project has two components. The first was the Art & Science Fair on May 8, 2010 in Harbourfront Centre's Brigantine Room. The second is an exhibition of select projects curated from the fair, to be held in the fall of 2010in Harbourfront Centres York Quay Galleries. For more information about Fresh Ground new works please join us at www.harbourfrontcentre.com/whatson/freshground

- sally mckay 11-02-2010 2:11 pm [link] [1 ref] [add a comment]


Artist Diana Thater writes a rip-roaring report detailing her personal, ongoing battle with a certain group of LA art critics (David Pagel, Christopher Knight and Dave Hickey).

Snippet describing a panel in 1997:
"Artists in the audience came up to the microphone to speak and all took the opportunity to voice their own frustrations with the attitude of the art critics in LA toward the artists. Why was it so mean? So personal? Why was the worst of the curatorial criticism reserved for female curators? Why was any medium other than painting automatically 'conceptual'?"

- sally mckay 11-01-2010 2:00 pm [link] [add a comment]