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CS: I didn't think of it as appropriation, that idea hadn't crystallized at the time. All those ideas that came down, and continue to come down--I never really gave a thought to them until I read them. In the later '80s, when it seemed like everywhere you looked people were talking about appropriation--then it seemed like a thing, a real presence. But I wasn't really aware of any group feeling. It was a pretty competitive time. It wasn't just photographers or appropriation artists versus painters; there were so many different factions--the Mary Boone artists versus the Metro Pictures, the neo-geo...


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