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lambertville in on the delaware nj

starting at $200K
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untitled 1968
untitled, 1968

rip dan christensen

In the late 1960s, Christensen, 64, found that the realism of his classical art training was restrictive and began using spray guns to paint colorful stacked loops on canvas, winning him critical acclaim, The New York Times said. Besides the process of painting and experimentation, he was concerned about how color interacted

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liberty harbor north

When complete, the neighborhood of Liberty Harbor North will be the most thorough exemplification to date of the principles of the New Urbanism. Due to its high-density housing, multiple transit connections, and pedestrian-oriented, mixed-use streetscape, this development is likely to serve as a textbook model for healthy urban growth in the future.

Located just a half mile west of the Hudson River on the north bank of the Morris Canal, the 80-acre brownfield site in Jersey City boasts dramatic views of Lower Manhattan to the east and the Statue of Liberty to the south. A new light rail will provide two stops in the neighborhood; and the Grove Street PATH Train, with service to both Lower Manhattan and Midtown, is a five-minute walk away. A water taxi offers convenient access to Lower Manhattan, and New York Waterways has expressed interest in providing large-scale ferry service in the near future. The site is bordered by the Van Vorst neighborhood to the east and the Hamilton Park neighborhood to the north-- two historic neighborhoods worthy of emulation.

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“People are super busy, constantly on the go, and want a more subdued, uncomplicated home environment,” said Shawn Henderson, eBay’s design director. There has been a significant dip in sales of antiques on the Web site, he said, and although he could not quantify the change, he said there is so little interest that search terms like “Federal” and “Queen Anne” are not even on the radar. People want midcentury Modern, Art Deco or Craftsman style pieces from the 20th century.

In addition to fancying a newer, cleaner look, buyers do not want to risk making mistakes in buying antiques. “There are so many fake antiques on the market right now that people don’t want to bother with them,” said J. Randall Powers, an interior designer in Houston. Fakes have become more common in the last 10 years as improved technology has allowed for closer approximations. At most, he said, his clients might buy a single antique to serve as an accent or contrast to their mostly modern décor.

[...]

“Why would you pay a fortune for a lesser-quality, mediocre antique when you could get an über-antique reproduction for the same price?”

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PSF : A lot of your songs involved writing new lyrics for songs.

Tuli : It's a very old tradition. I used it a lot when I didn't have a band. The earliest singers I remember that did this was (Martin) Luther who took popular songs of the period and made church hymns out them. He said 'why should the devil have the best of tunes.' Then Joe Hill in the early part of the 1900's used church hymns and changed them into radical pop songs.

Long-haired preachers come out every night
Try and tell you what's wrong and what's right
But when asked about something to eat
They are sure, they are sure to repeat
'You'll get pie...
You'll get pie in the sky when you die (that's a lie)
Work and pray
Live on hay
You'll get pie in the sky when you die (it's a lie)'

So it's an old tradition. I call them para-songs.


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dead soda society

via vz
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vegas on the arabian gulf


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rip texas girl anna nicole


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Worker Shortages Post-Katrina Send Businesses out of Mississippi

Facing a housing shortage along the Gulf Coast, many companies are finding it difficult to find employees and as a result, are being forced to relocate. The NewsHour reports on how Mississippi businesses are grappling with the economic aftermath of Hurricane Katrina.

IMPORTING FOREIGN WORKERS



JEFFREY KAYE: Some Mississippi companies are using workers from much farther away than neighboring states. They're importing hundreds of employees from abroad.
Late last year, Signal International, an oil rig construction and repair company, brought in some 300 workers from India. Working as welders and pipe fitters, they've been issued temporary visas by the federal government under a program that allows companies that can't find U.S. employees to import foreign nationals.

The Indian workers live in housing inside the shipyard. They have to pay room and board. The company wouldn't let us shoot there, nor would they provide a representative for an on-camera interview. But off-camera, a Signal vice president told us the company also uses hundreds of workers, provided by labor contractors, including many guest workers from Mexico.

The Mexican workers -- about 300 of them -- live in a fenced-in compound at a site that's near the shipyard. When we started to interview the workers, the labor contractor that brought them in, Knight's Marine and Industrial Services, told us to leave. They refused to answer any questions.

The workers live in wooden sheds without windows, plumbing or insulation. They sleep in bunk beds -- six to a cabin -- where they store food. These pictures were taken and provided to us by workers who asked to remain anonymous, saying they feared retribution.

Putting foreign workers up in sheds may represent an extreme response to the labor shortage. But Mississippi businesses worry that the problem will not be resolved easily or soon. Bruce Nourse is vice president of MGM's Beau Rivage Casino in Biloxi.

BRUCE NOURSE, Beau Rivage Casino: We lost about 70,000 homes on the Mississippi Gulf Coast. We have never built more than 2,500 homes in one year on the Gulf Coast. So just by virtue of that fact, it'll take us years to recoup what we had prior to the storm.

JEFFREY KAYE: The rebuilding brings with it a catch-22: As government and insurance money flows in, the demand for workers will be even more urgent.

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spinal tap


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the fall


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paris hilton


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BIG BOYS Austin TX punk, 'Funk Off' / 'Baby, Let's Play God'


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Butthole Surfers - Who Was In My Room Last Night? (224 hits)


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On Monday, the Harvard University Art Museums released a long-anticipated scientific study, performed with the cooperation of Alex Matter, of the chemical properties of three of the paintings, finding that some paints and pigments used in the works were not patented and probably not available until long after Pollock died in 1956. Alex Matter and Dr. Landau, who has conducted extensive research into the connections between Herbert Matter and Pollock, have questioned some of the findings, and Mr. Matter stressed in a statement that he believes “the authentication of works of art is still more art than science.”

The team at Harvard responded the way that scientists generally do: by saying that there is no arguing with science. Drawing an analogy to what he said were Bush administration efforts to suppress NASA information about global warming because it was politically unpalatable, Narayan Khandekar, a conservation scientist at Harvard, said in an interview that he and others who conducted the study were “absolutely sure” of their results and that quibbles about what they found struck him as disingenuous.

“I think it’s very much dismissing information because it’s inconvenient for their arguments,” he said, adding that such an approach to scholarly debate is “a little like Stephen Colbert’s concept of truthiness, where you’re almost there but you don’t have the whole thing.”

Dr. Landau said she did not reject science reflexively over her own experience, but added that she simply cannot reconcile the study’s findings with the other information she has collected, like a handwriting study that confirms the notes on the package were in Herbert Matter’s hands and evidence that the paintings had been corrected and retouched in a method that Pollock employed.

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Residents of several neighborhoods in the New Orleans area that were hardest hit by flooding after Hurricane Katrina can sue the Army Corps of Engineers over their claims that a government-built navigation channel was largely to blame, a federal judge ruled yesterday.

Successful lawsuits against the corps could result in billions of dollars in damage payments.

Since the flood, those who lived in the devastated neighborhoods near the east side of New Orleans — including the Lower Ninth Ward, New Orleans East and St. Bernard Parish — have contended that the Mississippi River Gulf Outlet caused much of their damage by intensifying the surge from the storm. The damage, they say, was foreseeable.

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sunday baroque 7 am


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Factory Girl is Edie for Dummies

Miller, meanwhile, works very hard at her Edie. She does the voice and the laugh and the style to a T, though she never nails the ineffable, effervescent vitality. Who could? On the one hand, Edie is a walking cliché: the poor little rich girl who burned bright then burned out. On the other, shes as enigmatic as Warhol, a white-light/white-heat lightning bolt from the zeitgeist, showering the scene with giddy radiance. You need but see her in Vinyl, her Factory film debut, holding down a corner of its deep-space S&M tableau doing nothing but flicking a cigarette and bopping her head, to get her enchantment. Chief among Hickenlooper's follies is his restaging of Vinyl; I'm glad his heavy hand laid off Kitchen, one of my favorite Warhol two-reelers, in which Edie gives a charmed, hilarious performance punctuated by nonstop sneezing, the signal she's forgotten a line.

Hickenlooper makes up for it with his mutilation of Beauty #2, the richest of Warhol's cine-interrogations and the apex of Edie's underground Superstardom. Plunked on a bed with a chunk of stud named Gino, Edie submits to the offscreen questions of Chuck Wein (a clueless Jimmy Fallon), an old friend of Edie's whose crucial and controversial role in the Factory ecosystem is here glossed over. Factory Girl literalizes the rape scenario implicit in Beauty #2, escalating into the vulgar (and wildly exaggerated) spectacle of Wein forcing Gino on the distressed starlet.


wasnt edie ciao! manhattan for dummies?


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photographic portfolio of an unknown modernist highschool




dig the crazy work on the wall in the art room.


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Fillmore 1960s Sunday Hippie Chrch Photo 4x6


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no i dont watch barkitecture. i have a cat.


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pronounced : sau-na


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c6746
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nyc highrise ceiling leak


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