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Damien Hirst’s shark floating in a tank of formaldehyde, recently sold for $12 million to US billionaire hedge fund manager Steve Cohen, is disintegrating and will need extensive conservation work to prevent it from further deterioration. This is the view of conservation scientists and natural history specialists who say that the bigger a specimen, the more difficult it is to preserve long-term in formaldehyde.
our lady of the airplane propeller chapel
cheese eatin' design junkies
The feel is that of a high-end furniture and design showroom like the MoMA Design Store itself across the street, where many of these objects are for sale. Taking its cue from the retail world, the objects in the installation are tightly packed together, as if the aim was to offer consumers a wealth of choices rather than draw them into an atmosphere of contemplation. It's as if you have entered a storehouse for the irredeemably trendy.
--ouroussoff
sit on it, potsie
is the jingle dead ?
wright photos on ebay
"If a dealer gets these things, they are broken up. That's how people make their money," Holzhueter said. "For people who care about Wright, it would have been a disaster. We knew it was important to keep the photographs together."
my little corner of the world
SPRING 1964: MOST WANTED MEN AT THE WORLD'S FAIR.
Andy Warhol's Thirteen Most Wanted Men is displayed on the side of the New York State Pavilion at the 1964 Worlds Fair in Flushing Meadow.
The architect who designed the Pavilion was Philip Johnson. He invited various artists, including Robert Rauschenberg, Roy Lichtenstein, Robert Indiana, John Chamberlain and Andy Warhol to create art for the exterior of the building. (DB181/4)
However, there were objections to Warhol's work from government officials. On April 16, Philip Johnson told Warhol that he had 24 hours to replace or remove the "most wanted men" mural as the governor thought it might be insulting to his Italian constituents because most of the "wanted men" were Italians. (LD198)
Warhol blamed Robert Moses, the city's planner and president of the 1964-65 World's Fair. Warhol proceeded to silkscreen twenty-five identical portraits "of a ferociously smiling Moses" to use as a substitute for the "most wanted men". Philip Johnson rejected the idea, not wishing to offend the festival's president.
Eventually, the "most wanted men" panels remained in place but were covered with a coat of silver paint. (DB181-4)
Although Warhol's mural is often referred to as the Thirteen Most Wanted Men, he referred to it as the Ten Most Wanted Men in his book, Popism.
Napster, for example, was the target of much legislative lobbying by major record labels and eventually shut down. As authors such as David Marshall have pointed out, the Internet may be evolving into a network model, following a pattern that he identifies as “access, excess and exclusion,” where large corporations crowd independent voices into the margins. 16 So, while those avenues are closed off or marginalized, it may be that punk rock can reach a wider audience by using the mainstream as its carrier. At its best, this form of cultural capital could act as a virus or meme, infecting the mainstream and allowing greater access to the music, and perhaps even some of the fertile anarchistic genius of punk, than both the major record labels or even the insular punk community have previously allowed.
the who sell out
banana phone
ebeling house dortmund
paul rudolph umbrella house at auction
Speaking in support of the plan, Mr. Close, a Whitney board trustee, said, "The artists are the ultimate clients of the architecture."
endangered tonic
me worry ?
new hatebeak
just found the brooklyn based brownstoner. i noticed the renovation blog on the main page but havent looked in yet. well thats something that didnt happen here during our renovation. reason being that blogging and renovating are both full time jobs. their house pick of the day is a 500 something thou major reno. best kept secret in the real estate market is that JC is still way undervalued compared to hoboken and bkln. shhhh.
In a few short years, the Bergen-Lafayette section of Jersey City near Liberty State Park will showcase two major residential/commercial developments.
In early December 2004, the Planning Board approved a $135 million project called "The View," which will consist of three condominium towers that will include commercial space and possibly an upscale restaurant on the ground floor of the towers.
And two weeks ago, the Jersey City Redevelopment Agency approved a unique redevelopment agreement between a community group and a developer that will result in the construction of a $25 million residential and commercial project located on three sites.
living with kermit
the quiltmakers of gee's bend ch13 thursday at 8
blown up blown out in bayside