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In a comment to the previous post, Brent questions whether Chris Ashley's stationary HTML drawing and jimpunk's moving .GIF are comparable or compatible on the same page. My usual quip about showing video next to paintings in a gallery setting is that it's like bringing a baby to a wedding, but the browser is the great equalizer. A few more line breaks were added to the post so the pieces aren't quite so close together, but otherwise, yeah, I think they have more in common than not as art non-objects. Although neither artist is an Op artist in the old '60s sense, the pieces exploit optical tricks over and above their plain formal appeal: illusory depth in the Ashley and quite literal vibration in the jp. Moreover, they are fresh takes on the grid and opticality, which the New York Times and the Village Voice love to dismiss as the concerns of a bygone generation, in spite of all evidence to the contrary (e.g., the Infinite Fill show.)
Chris Ashley - Untitled (Blue and Green) 18, 2004, HTML, 320 x 240 pixels:
jimpunk, ( [ ] ), 2004 animated .GIF and HTML:
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Re-reBlogging a couple of items from yesterday. More commentary will eventually be added, perhaps when I return to decelerated blogging life a few days hence. Ashley's drawing is straight-up HTML, and jimpunk's piece uses HTML to vertically stretch this gif (
) (which looks like website bricabrac he found somewhere) into adjacent Bridget Riley-esque rectangles of progressively narrowing widths. UPDATE: This "website bricabrac" is some Apple "loading--please wait" icon thingy that's been turned from pale blue to black and white. I'm surprised no one told me I was revealing my Apple-ignorance (again).
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