tom moody

tom moody's weblog
(2001 - 2007)

tommoody.us (2004 - )

2001-2007 archive

main site

faq

digital media tree (or "home" below)


RSS / validator



BLOG in gallery / AFC / artCal / furtherfield on BLOG

room sized animated GIFs / pics

geeks in the gallery / 2 / 3

fuzzy logic

and/or gallery / pics / 2

rhizome interview / illustrated

ny arts interview / illustrated

visit my cubicle

blogging & the arts panel

my dorkbot talk / notes

infinite fill show


music

video




Links:

coalition casualties

civilian casualties

iraq today / older

mccain defends bush's iraq strategy

eyebeam reBlog

hullabaloo

tyndall report

aron namenwirth

bloggy / artCal

james wagner

what really happened

stinkoman

antiwar.com

cory arcangel / at del.icio.us

juan cole

a a attanasio

rhizome.org

three rivers online

unknown news

eschaton

prereview

edward b. rackley

travelers diagram at del.icio.us

atomic cinema

lovid

cpb::softinfo :: blog

vertexList

paper rad / info

nastynets now

the memory hole

de palma a la mod

aaron in japan

NEWSgrist

chris ashley

comiclopedia

discogs

counterpunch

9/11 timeline

tedg on film

art is for the people

x-eleven

jim woodring

stephen hendee

steve gilliard

mellon writes again

eyekhan

adrien75 / 757

disco-nnect

WFMU's Beware of the Blog

travis hallenbeck

paul slocum

guthrie lonergan / at del.icio.us

tom moody


View current page
...more recent posts



Extreme Abstraction. (See previous post.) Actually Linda Besemer, one of the artists in the Albright-Knox's show of that name, isn't extreme. Why is she extreme--because she's anal-retentive and makes hundreds of super thin stripes? Why does the art world insist on obsessive repetitive complexity as a rite of passage? And Katharina Grosse--she's extreme because she paints on the walls? Why is covering a lot of wall surface area a rite of passage? And David Reed--why is he extreme? Because he's so polished and professional? My favorite piece of his is probably the video where he (poorly) digitally inserted one of his paintings into the background of the Michael Mann-produced '80s TV series Crime Story. Dennis Farina and some other guy are arguing and the whole time there's this jerking, shimmering abstract painting on the wall behind them. It wasn't extreme, but it was a good piece.

enright rmx

- tom moody 7-10-2005 4:17 am [link] [4 comments]