tom moody

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tom moody


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SnowballsThe Year
In The
Internet
2006


"We asked some people what their top ten links of the year were for 2006. This is what they said."

- Michael Bell-Smith & Cory Arcangel


  • David Moore and Nicholas Reville of The Participatory Culture Foundation
  • Artist/Curator Marisa Olson
  • Neil Freeman of Fake is the New Real
  • Internet User Travis Hallenbeck
  • Artist/Musician/Blogger Tom Moody [caution: cats --tm]
  • Editor/Writer/Former Videogame Designer/net.music.label boss Simon Carless
  • Artist/Internet User Guthrie Lonergan
  • Computer Programmer Cory Arcangel and Curator Hanne Mugaas
  • Artist/Musician Michael Bell-Smith
  • Web Developer/Internet User Brett O'Connor
  • DJ/Blogger/Music Journalist Nick Barat
  • Artist John Michael Boling
  • Critic/Writer/Curator Ed Halter
  • Artist/Blogger Charles Broskoski
  • BONUS!!! Other Best of '06 lists


  • The Year in the Internet 2005

    - tom moody 1-13-2007 11:14 pm [link] [6 comments]



    er-1 r mkii 2

    "Song 10 (MG)" [mp3 removed]

    - tom moody 1-13-2007 11:13 pm [link] [2 comments]



    jimpunk: "Buckyball Bob" [179 KB Quicktime .mov] (1.5 second loop)

    originally here as a downloadable .m4v for those little white players that people have.

    (the buckyball is by me.)

    - tom moody 1-12-2007 11:57 pm [link] [add a comment]



    An excerpt from More Brilliant than the Sun, a 1998 book on music by Kodwo Eshun, was posted on this blog six years ago in March. Here it is again, and it will be reposted yet again in 2013, that's how much I like it:
    There are no drum-machines, only rhythm synthesizers programming new intensities from white noise, frequencies, waveforms, altering sampled drum sounds into unrecognizable pitches. The drum-machine has never sounded like drums because it isn't percussion: it's electronic current, synthetic percussion, syncussion. The sampler is at first termed an "emulator," as if it does nothing but imitate existing sounds. Calling the rhythm synthesizer a drum-machine is yet one more example of [r]earview hearing. Every time decelerated media writes about snares, hihats, kickdrums, it faithfully hears backwards. Electro [music] ignores this vain hope of emulating drums, and instead programs rhythms from electricity, rhythmatic intensities which are unrecognizable as drums. There are no snares--just waveforms being altered. There are no bass drums---just attack velocities.
    Somehow the passion and insight of this writing in response to music that was revolutionary ten, fifteen, twenty years ago, ought to be held onto in the face of overwhelming excess production--the microchip revolution that has probably resulted in more djs than listeners, as represented by the surfeit of grooveboxes in stores and on eBay. What if there were only a few of these left in the world? Someone would be hacking the chips for sure once the factory-intended "unlimited sonic possibilities" had run out. When writing music for machines like this--and it's a hoot, I recommend it, they're cheap used, kind of a latter day harmonica or skiffle pole--I sometimes envision a jaded, overworked "holy man" of a post-apocalyptic tribe that has somehow preserved one of these rarities (plus a generator, amp, and speakers). The tribe engineer is constantly tweaking it, and together they are responsible for keeping people amused and "up" at all events requiring shamanic jubilation such as weddings, funerals, and war rallies.

    - tom moody 1-12-2007 11:56 pm [link] [2 comments]



    John McCain defends Bush's strategy. Contrary to media hype, John McCain is not a moderate Republican. He is a war hawk, and wants to kill American soldiers to prop up Bush's vanity and bad judgment.

    more

    - tom moody 1-12-2007 9:59 pm [link] [1 comment]